Lucrezia Borgia: Life, Love and Death in Renaissance Italy
she made on him and his fellow Frenchmen: ‘The good Duchess received the French before all the others with every mark of favour. She is a pearl in this world. She daily gave the most wonderful festivals and banquets in the Italian fashion. I venture to say that neither in her time nor for many years before this has there been such a glorious princess, for she is beautiful and good, gentle and amiable to everyone, and nothing is more certain than this, that, although her husband is a skilful and brave prince, the above-named lady, by her graciousness, has been of great service to him.’ 18
    Lucrezia continued to play the gracious hostess to the French through the spring. Di Prosperi became more and more disapproving as he considered the times unsuited to dancing, given the devastation of the countryside. The chief goldsmith in Ferrara, he told Isabella, could not complete her order because he had too much to do for the Duchess. Lucrezia and Alfonso, however, knew only too well how important it was to keep the French happy and, if possible, in Ferrara. Among the constant excursions and alarums, however, things were not going well for the Pope. On 22 May news reached Ferrara that the Bentivoglio had returned to Bologna with the accord of the citizens; shortly afterwards the papal legate, Cardinal Alidosi, friend and protégé of Julius, was stabbed to death by Francesco Maria della Rovere. There were great celebrations at court: Alfonso gave a supper in the garden for the gentlemen of Ferrara while Lucrezia was visited and made much of by the nobility and ladies of the city. The Bolognese pulled down Michelangelo’s bronze statue of Julius which had adorned the cathedral and donated it to Alfonso: he kept the head for his collection and melted down the body for a cannon which he named ‘La Giulia’. The Ferrarese rejoiced in the streets and Lucrezia gave more parties in honour of de Foix and the French captains. Visiting her, di Prosperi found her ‘very richly dressed and more magnificent than I have seen her for a long time’.
    That same April, Francesco Gonzaga told Lorenzo Strozzi that he was eager that Lucrezia should come to Mantua as ‘a relief from her present worries and travails and take some pleasure with him’, assuring her that he was ‘urgently hastening the completion of some new rooms in our palace of S. Sebastiano which we have established for her lodging’. 19
    In truth Lucrezia seems to have been worn out by all the festivities; on 16 June, di Prosperi reported that she had been ill and was convalescing. Four days later she decided to go to her convent of San Bernardino which she seems to have treated as if it were a health farm: ‘she will stay there until she is purged and has taken the waters and dieted’. She would be there some time, he said. On the same day, Lucrezia wrote a note to Francesco in her own hand, her writing blotched and untidy: ‘Finding myself weak from my sickness I will not write at length and also because truly it would be impossible to find words to express how yet again I feel myself obliged to Your Lordship for the favour he deigns to do me; with this letter I kiss your hand an infinity of times, leaving the rest to padre Fra Anselmo and the bearer of this, begging Your Lordship that if you know of anything in which I can serve you you will deign to command me.’ Laura Bentivoglio Gonzaga, wife of Francesco’s brother Giovanni, visited her there after she had purged herself and was about to take the waters. She found her on a bed dressed in light black silk with tight sleeves gathered at the wrist, a large turban-cap on her head covering her ears. They chatted about fashion, Lucrezia questioning Laura closely about the latest things in Mantua, asking her to send her some caps like the one she was wearing and wanting to copy her head ornament. 20 On 3 July, Lucrezia was still in San Bernardino: Alfonso visited her there but, because it was an enclosed convent, he was

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