Free The Life of Charlotte Bronte by Elizabeth Gaskell Page B

of 1849, “ ‘I have some strength to fight the battle of life’ ” (p. 313). The overall “effect of the book is melancholy,” one contemporary reviewer of the Life offered in summation, adding that although Gaskell’s Brontë was led by a “stern sense of duty... within that imprisonment of constraint was a really free spirit” (Easson, p. 383).
    Anne Taranto was educated at Columbia and Oxford Universities and at Yale University, where she earned a Ph.D. She has taught courses on the novel and on eighteenth- and nineteenth-century literature at Georgetown University and is currently at work on a study of Charlotte Brontë’s relationship to the literary marketplace.

THE LIFE OF CHARLOTTE BRONTË,
    AUTHOR OF
“JANE EYRE,” “SHIRLEY,” “VILLETTE,” &c.
BY
E. C. GASKELL,
AUTHOR OF “MARY BARTON,” “RUTH,” ETC.
     
     
     
“Oh my God,
Thou hast knowledge, only Thou,
How dreary ’tis for women to sit still
On winter nights by solitary fires
And hear the nations praising them far off.”
    AURORA LEIGH.
     
     
     
    IN TWO VOLUMES. VOL. I.

CHAPTER I.
    The Leeds and Bradford railway runs along a deep valley of the Aire; a slow and sluggish stream, compared to the neighbouring river of Wharfe. Keighley station is on this line of railway, about a quarter of a mile from the town of the same name. The number of inhabitants and the importance of Keighley have been very greatly increased during the last twenty years, owing to the rapidly extended market for worsted manufactures, a branch of industry that mainly employs the factory population of this part of Yorkshire, which has Bradford for its centre and metropolis.
    Keighley is in process of transformation from a populous, old-fashioned village, into a still more populous and flourishing town. It is evident to the stranger, that as the gable-ended houses, which obtrude themselves corner-wise on the widening street, fall vacant, they are pulled down to allow of greater space for traffic, and a more modern style of architecture. The quaint and narrow shop-windows of fifty years ago, are giving way to large panes and plate-glass. Nearly every dwelling seems devoted to some branch of commerce. In passing hastily through the town, one hardly perceives where the necessary lawyer and doctor can live, so little appearance is there of any dwellings of the professional middle-class, such as abound in our old cathedral towns. In fact, nothing can be more opposed than the state of society, the modes of thinking, the standards of reference on all points of morality, manners, and even politics and religion, in such a new manufacturing place as Keighley in the north, and any stately, sleepy, picturesque cathedral town in the south. Yet the aspect of Keighley promises well for future stateliness, if not picturesqueness. Grey stone abounds; and the rows of houses built of it have a kind of solid grandeur connected with their uniform and enduring lines. The frame-work of the doors, and the lintels of the windows, even in the smallest dwellings, are made of blocks of stone. There is no painted wood to require continual beautifying, or else present a shabby aspect; and the stone is kept scrupulously clean by the notable Yorkshire housewifes. Such glimpses into the interior as a passer-by obtains, reveal a rough abundance of the means of living, and diligent and active habits in the women. But the voices of the people are hard, and their tones discordant, promising little of the musical taste that distinguishes the district, and which has already furnished a Carrodus a to the musical world. The names over the shops (of which the one just given is a sample) seem strange even to an inhabitant of the neighbouring county, and have a peculiar smack and flavour of the place.
    The town of Keighley never quite melts into country on the road to Haworth, although the houses become more sparse as the traveller journeys upwards to the grey round hills that seem to bound his journey in a