Free Play Dead by Richard Montanari Page B

and he never strayed from the custom. He had always believed that Faerwood was a living thing, an entity with a heart and soul and spirit. He had long ago personified its many faces, given life to its raised panels, its slate tiles and brass fittings, its numerous stone hearths.
Swann was lean and muscular, of average height. He had azure blue
    eyes, fair hair without yet a single strand of gray, a less than prominent nose.
    When he was a child of six, a woman in Galveston—an aging circus acrobat with flame- red tresses and ill- fitting teeth, the portly doyenne of a Hungarian gypsy troupe—had called his profile “androgynous.” Joseph had been too young to read anything into this, of course, although the word conjured many things dark and disturbing. In his late childhood years he’d had to fend off myriad advances from both men and women alike, all of questionable character and breeding. In his early teens he had succumbed to the enchantments of an exotic dancer in the French Quarter in New Orleans, a young woman who had afterward referred to him as oiseau féroce. It was only years later he had learned this meant fierce bird, a word play on his last name it seemed; a comment, perhaps, on his sexual prowess. Or so he had hoped. Swann was nimble without being athletic, far stronger than he appeared. His choices in clothing tended to the well- tailored and classic, his shoes always scrupulously polished. He was rarely seen in public without a tie. Unless he was hunting. Then he could, and quite often did, blend into the scenery; urban denizen, country gentleman, midnight jogger, suburban dad. He had dedicated each of the house’s sixteen closets to a different persona.
    This evening Faerwood was ominously quiet. For the moment. At eight o’clock he prepared himself a modest dinner of center- cut pork chops, braised butternut squash, and fresh mango chutney. He considered opening a bottle of wine but resisted. There was much to do.
For dessert he allowed himself a thin slice of a devilish chocolate ganache he had picked up on a whim from Miel Patisserie on Seventeenth Street.
As he savored the cake, he thought about Katja. She did not look healthy. He fed her very well, of course, bathed her, smoothed her skin with the finest emollients money could buy, met all her needs religiously. And yet she looked sallow, resigned, older.
When he finished the cake, he crossed the great room to the kitchen, placed his dish and fork in the sink, then returned. He selected an LP from the shelf, started the turntable, carefully placed the needle. Soon, the strains of Mozart’s Le Nozze di Figaro filled the room. He always played “ Dove sono ” when things were about to change.
Before he reached the stairs, the voice thundered up from somewhere deep inside him.
“Joseph.”
Swann stopped. The hair rippled on his forearms. “Sir?”
“Where dwells the effect, Joseph?”
“The effect is in the mind, sir.”
“And the method?”
For a few agonizing moments, Swann could not recall the drill. It was a simple exchange, as old as his ability to talk.
“Joseph?”
It came to him. “The method is in the soul.”
A few moments later, fully returned to the moment, he checked the quality of his breath, the order of his hair, the knot in his tie. He took a few seconds, then climbed the stairs, hesitating briefly on each tread.
    5 8 R ICHAR D MONTANAR I
    When he reached the second floor he walked down the hallway, drew the key from his vest pocket, then unlocked and opened the door to Katja’s room.
    She was sitting on the bed, staring out the barred window, her thin legs dangling over the side. She was growing so pale. Her eyes were blank and vacant, her wrists and arms were stick thin. She wore a pale blue nightdress. Her feet were bare.
    Swann stepped into the room, closed the door behind him, locked it. “Good evening, my love,” he said.
She slowly turned her head. She parted her dry lips, but said nothing.
    Swann