Free The Drawing of the Three by Stephen King Page B

both the gunslinger and the prisoner the air-carriage had already landed. She turned to the army woman she was sitting with and said something. The other woman laughed and nodded, but if that was a real laugh, the gunslinger thought, he was a river-toad.
    The gunslinger wondered how the man whose mind had become temporary home for the gunslinger’s own ka, could be so stupid. Some of it was what he was putting into his body, of course . . . one of this world’s versions of devil-weed. Some, but not all. He was not soft and unobservant like the others, but in time he might be.
    They are as they are because they live in the light, the gunslinger thought suddenly. That light of civilization you were taught to adore above all other things. They live in a world which has not moved on.
    If this was what people became in such a world, Roland was not sure he didn’t prefer the dark. “That was before the world moved on,” people said in his own world, and it was always said in tones of bereft sadness . . . but it was, perhaps, sadness without thought, without consideration.
    She thought I/he—meant to grab a weapon when I/he—bent down to get the papers. When she saw the papers she relaxed and did what everyone else did before the carriage came down to the ground again. Now she and her friend are talking and laughing but their faces— her face especially, the face of the woman with the metal tube—are not right. They are talking, all right, but they are only pretending to laugh . . . and that is because what they are talking about is I/him.
    The air-carriage was now moving along what seemed a long concrete road, one of many. Mostly he watched the women, but from the edges of his vision the gunslinger could see other air-carriages moving here and there along other roads. Some lumbered; some moved with incredible speed, not like carriages at all but like projectiles fired from guns or cannons, preparing to leap into the air. As desperate as his own situation had become, part of him wanted very much to come forward and turn his head so he could see these vehicles as they leaped into the sky. They were man-made but every bit as fabulous as the stories of the Grand Featherex which had supposedly once lived inthe distant (and probably mythical) kingdom of Garlan— more fabulous, perhaps, simply because these were man-made.
    The woman who had brought him the popkin unfastened her harness (this less than a minute since she had fastened it) and went forward to a small door. That’s where the driver sits, the gunslinger thought, but when the door was opened and she stepped in he saw it apparently took three drivers to operate the air-carriage, and even the brief glimpse he was afforded of what seemed like a million dials and levers and lights made him understand why.
    The prisoner was looking at all but seeing nothing—Cort would have first sneered, then driven him through the nearest wall. The prisoner’s mind was completely occupied with grabbing the bag under the seat and his light jacket from the overhead bin . . . and facing the ordeal of the ritual.
    The prisoner saw nothing; the gunslinger saw everything.
    The woman thought him a thief or a madman. He—or perhaps it was I, yes, that’s likely enough—did something to make her think that. She changed her mind, and then the other woman changed it back . . . only now I think they know what’s really wrong. They know he’s going to try to profane the ritual.
    Then, in a thunderclap, he saw the rest of his problem. First, it wasn’t just a matter of taking the bags into his world as he had the coin; the coin hadn’t been stuck to the prisoner’s body with the glue-string the prisoner had wrapped around and around his upper body to hold the bags tight to his skin. This glue-string was only part of his problem. The prisoner hadn’t missed the temporary disappearance of one coin among many, but when he realized that whatever it was he had risked his life for was suddenly