birds, parrots among them. Wilberforce Holmes, a deposed scientist with a love of ornithology, has often helped tend to these creatures.
“Stop right there!” the parrot says again. “Cracker time, you bloody boob! Cracker time!”
A foul-mouthed little thing
, thinks Sherlock, grinning.
Lying there, picking the cactus needles out of his hands, trying to ignore the pain, he looks way up past the three tiers of balconies and makes out the ghostly curving iron frames of the glass ceiling. Branches and shadows of evil-looking trees peer down at him – a jungle canopy. He is on the outskirts of the Palace’s tropical forest.
Despite the hour, it is as hot as a jungle in here too. He hears other birds: cockatoos and ordinary redbreasts and swallows, offering squawks and chirps in response to their talkative comrade.
There is a series of courts under this nave, each representing an epoch in the history of man. When Sherlock turns his head and looks along the hall, he sees twin pharaohs staring down at him with paired sphinxes below,the feature of the Egyptian Court. They are imposing in the gloom and their gigantic size and bulging eyes almost make the boy cry out.
He calms himself and gets to his feet. He has to make his way southward toward the central transept. That’s where the crime scene is. He moves stealthily around statues, ferns, and displays, feeling as though he were traveling through history, passing the Greek Court, the Roman, and on into the Medieval. Each area is filled with the dark shapes of ancient figures.
Farther on, he encounters magnificent stuffed lions and tigers, mounted on towering stone plinths, frozen in all their ferocious glory. He thinks he hears a splash in the marine aquarium nearby and looks to his right to see the side of a massive tank: octopi, lobsters, and thousands of little sea horses live there.
He smells spices from the Far East and the lingering scents of biscuits and pâté from the Refreshment Department’s dining room, but since the birds settled, he’s heard very little. The indoor fountains, whirring wheels of inventions, and children’s automated toys, are quiet for the night.
Sherlock floats like a ghost past the northern transept, toward the center. It occurs to him that he is good at this sort of thing, good at stealth and deceit.
But suddenly he hears something that terrifies him, a sound much worse than a nattering bird.
There are footsteps coming.
Human ones
. At first they are so quiet and distant that he isn’t sure they are real, but then they echo in the cavernous glass palace and growlouder. He ducks under a wagon displaying bushels of Canadian wheat. But he is still exposed to anyone who might walk past. There are empty hempen sacks lying on the wagon, so he jumps up, seizes a couple, and hastily tucks one end of each under the bushels, making a curtain down to the floor, hiding himself from passing eyes.
He lies as still as a corpse.
The footsteps become louder. There seems to be more than one man, and at least one of them is breathing in great gulps.
Sherlock peeks out between the sacks and sees a single figure walking steadily in the center of the hall, heading north, right toward him. Where are the others? Then the boy looks down. The man has two white bull terriers on chains. They are straining against his hold, breathing loudly through their mouths, anxious to move forward. Both have torn ears, as if they’ve suffered injuries in battle. Sherlock can see their fangs as they gasp for air, saliva dripping onto the planked wooden floor. The dogs will smell him, for sure.
They come closer, and
closer
.
And pass by.
Sherlock breathes a sigh of relief.
But then the dogs stop. Both sniff the air and turn around, pulling their master straight toward the Canadian wheat wagon. The boy tries to draw in every scent he gives off, to arrest the beating of his heart. He clenches his hands into fists, forgetting the wounds from the cactus, and utters a