of summer heat. Not much more than a hundred years ago not only were the windows shut and the curtains drawn, but the beds were curtained too. Her common sense approved the change, though she considered that the young people of the present generation sometimes went too far in the opposite direction. Tonight the air was mild, and she pushed the casement wide. The night was a dark one. No moon was behind the cloud which veiled the sky. She could just see the path to the gate, but not the road, or the grass beyond it. As she stood watching, a car came out of the Manor gates on the far side of the Green. It was followed after a moment by another, and another. There had been a party there on the eve of the wedding, and the guests were going away. Miss Mettie Eccles was one of them. She and Connie Brooke, who was to be a bridesmaid, would be walking across the Green together. So pleasant for both of them. She was just about to turn away, when she heard, first footsteps, and then the click of a gate. Not the gate of Willow Cottage, nor of Miss Mettie’s cottage on the left. The sound came from the other side. It was in fact the gate of Gale’s Cottage that had clicked, and Gale’s Cottage was the residence of Mr. Barton who had been described by Frank Abbott as the chief mystery of Tilling Green. He had called him a quiet, harmless old boy who kept cats and would not have a woman in the house, even to locking his door against them and doing his own cooking and cleaning.
Miss Silver leaned forward a little. She had not as yet set eyes on this next-door neighbour, though she had heard quite a lot about him from Miss Wayne. His seclusion, his cats, his nocturnal prowlings, did not commend themselves to the village. As Miss Renie said, “One tries to think kindly about everyone, but why go out at night?”
It was evident that Mr. Barton was returning from one of his rambles in the dark. She could just make out a tall figure standing by the wicket gate. It waited there for perhaps a minute and then moved on towards the house. The gate clicked to.
Gale’s Cottage was the oldest of the cottages along the Green. Seen in the daylight, it was picturesque to the point of inconvenience. The roof sloped sharply, and since there were two storeys the rooms could hardly be more than six feet in height. The front windows were practically obscured by a growth of old neglected creepers. The entrance was at the side. By leaning farther out Miss Silver was able to observe Mr. Barton’s approach to this entrance. Arrived, he produced a torch, which he held in his left hand. He focussed it upon the big old-fashioned keyhole, inserted a big old-fashioned key, and opened the door. As he did so he turned the torch downwards and stood to one side. A large tabby cat walked through the beam and disappeared into the darkness beyond. A second followed it, nose to tail, and after that a third, a fourth, a fifth, a sixth, a seventh. When the beam had lighted the last of the seven Mr. Barton himself crossed the threshold, shutting, and locking, the door behind him.
Miss Silver became aware that the night air was not as warm as it had seemed. She retired from the window and pulled up an eiderdown which she had previously discarded. Afterwards there was some impression of voices in the road outside—Miss Mettie’s voice saying good-night, and a murmur of sound that answered it.
CHAPTER 11
The morning of Valentine’s wedding day came up clear and bright. There was still some cloud in the west, but the rest of the sky was of the enchanting shade of blue which makes amends for days of mist and rain. The girl who brought up the early morning tea put the tray down upon the table beside the bed. The curtains were all drawn back, and the room was full of light. She said,
“You’ve got ever such a lovely day, Miss Valentine. I do hope it keeps up.”
Valentine said, “Thank you, Florrie.”
She sat up and turned to lift the cup. If there had been less
Charlaine Harris, Patricia Briggs, Jim Butcher, Karen Chance, P. N. Elrod, Rachel Caine, Faith Hunter, Caitlin Kittredge, Jenna Maclane, Jennifer van Dyck, Christian Rummel, Gayle Hendrix, Dina Pearlman, Marc Vietor, Therese Plummer, Karen Chapman