The Left Hand Of God
long again as the wall on the Sanctuary side but, for all he knew, this part of the wall might have been built on the edge of a cliff.
    He looked down into the fathomless dark and paused for a moment. Then with his right hand he felt for the rope and pulled it taut so that the hook was forced to bite into the crevice. With one hand on the wall, the other holding the rope taut, he paused once more as he realized how appalling his situation was.
Still, better to go this way than being hanged and fried.
And with this consoling thought, he let go of the wall, let the rope take the strain and slipped over the edge.
    With his legs crossed over the rope, Cale let himself down hand over hand. This was the easy part, with his weight doing the work for him. Indeed, he would have felt exultant if it were not for the fact that the rope was untested and might snap or come apart from rubbing against the rough walls—and also the unpleasant thought that it might not be long enough and he could be left dangling a hundred feet from the ground. Even a ten-foot drop onto rocks would break his leg. But what was the point in worrying about it? It was too late now.

8

    E
very few minutes Kleist and Vague Henri would light the candle Cale had stolen from the Lord of Discipline and look at the girl. They had agreed it was best to keep an eye on her every now and again. After all, there were nine candles, so they could afford to be generous. They had seen people go quiet in the way the girl was quiet and with that odd sightless stare, usually in boys who had taken more than a hundred strokes. If they stayed like that for more than a few days, they were taken away and never came back. Those who pulled themselves together often used to start screaming in the middle of the night, weeks or even months later—in Morto’s case it had been years. Then they vanished, too.
    This, they told themselves, was why they kept checking on the girl. If she started screaming, maybe someone would hear.
    Every time they lit the candle, Vague Henri would say to her, “It’s going to be all right.” She did not respond except by shivering every now and again. The third time they lit the candle, Henri remembered something from the very distant past, a phrase that came into his head, something comforting he had once heard and long forgotten. “There, there,” he said. “There, there.”
    But there was another reason they kept lighting the candle besides checking on the girl: they couldn’t stop themselves from looking at her. They had both come into the Sanctuary as seven-year-olds from a life that now seemed as remote as the moon. Vague Henri’s parents had been dead since not long after he was born. Kleist’s parents had sold him for five dollars to the Redeemers, and had been only a little less brutal toward him. They had not seen a girl or a woman since they came through the great gates of the Sanctuary, and all that the Redeemers had told them was that women and girls were the devil’s playground. If, by any chance, they were to see one when they left the Sanctuary for the frontier or the Eastern Breaks, they were immediately to cast their eyes down. “The body of a woman is a sin in itself, crying out to the heavens for vengeance!” There was only one woman who was to be regarded without disgust and alarm: the mother of the Hanged Redeemer who, alone among her sex, was pure. She was the source of compassion, perpetual succor and solace—though what these virtues entailed the boys had no idea, none of these qualities ever having come their way. About what it involved, this business of women being the devil’s playground, the Redeemers were equally vague. As a result, Kleist and Vague Henri were driven to watch the girl by an intense curiosity, mixed with fear and no little awe. Anyone who could get the Redeemers into such ecstasies of loathing and hatred had to be very powerful indeed and, therefore, in ways they could not begin to guess at, worth being

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