Free The Winner's Curse by Marie Rutkoski Page B

occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world.
    He said, “This is not a sitting room.”
    “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.”
    His mouth curved slightly. “This is a writing room. Or, rather”—he pulled his six tiles—“it was.”
    Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown.
    “Wait,” he said. “What are the stakes?”
    She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.”
    But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them.
    “Hmm,” he said, and they each put in their ante.
    Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her—both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage.
    “How do you know?” she said.
    “How do I know what?”
    “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her.
    She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated.
    Kestrel realized that Arin had been waiting to answer her question. He was watching her.
    “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.”
    “Well,” said Kestrel, uncomfortable, “it is no longer what it was.”
    He played his first tile: a wolf. That meant one less chance for her to add a wolf to her hand. She set down her fox.
    “But how do you even know to recognize the room?” Kestrel pressed. “Were you a house slave before?”
    His finger twitched against a tile’s blind side. Kestrel hadn’t meant to upset him, but saw that she had.
    “All Herrani aristocratic houses had writing rooms,” he said. “It’s common knowledge. Any slave could tell you what I just did. Lirah could, if you asked her.”
    Kestrel hadn’t quite realized that he knew Lirah—or at least, well enough to drop her name casually into the conversation. Though of course he did. She remembered how quick Lirah was to tell her of Arin’s whereabouts earlier. The girl had spoken as if the answer had already been trembling on the surface of her mind, like a dragonfly on water, long before Kestrel had asked.
    Kestrel and Arin played in silence, discarding tiles, drawing new ones, playing others, speaking only to bet.
    Then Arin’s hands paused. “You survived the plague.”
    “Oh.” Kestrel hadn’t noticed that her loose, slashed sleeves had slipped back to reveal the skin of her inner arms. She touched the short scar above her left elbow. “Yes. Many Valorians caught the plague during the colonization of Herran.”
    “Most Valorians weren’t healed by a Herrani.” He