Free The Tourist by Olen Steinhauer Page B

hair hung perfectly straight along the sides .
    . .
    Beside her, watching their daughter, Patrick was speechless. There was a click from the speakers, a CD spinning, and then an orchestral melody that grew into a wall of sound with a swift beat. Stephanie began to sing, those French words perfectly formed. Je suis une poupee de cire,
    Une poupee de son
    When she couldn't get her daughter in focus, Tina realized she was crying. Milo had been right all along. It was beautiful. She glanced at Patrick gaping at that little screen, muttering, "Wow." Maybe this would finally convince him that Milo was A-OK, despite what he'd believed yesterday when he called her office, at Columbia's Avery Architectural and Fine Arts Library.
    "I don't like him."
    "What?" Tina had snapped back, already irritated. "What did you say?"
    "Milo." She could tell he was slipping into an afternoon buzz, maybe one of his famous five-martini lunches. "I'm talking about Milo Weaver. I never trusted him, not with you, and certainly not with my daughter."
    "You never even tried to like him."
    "But what do you know about him? He's just some guy you met in Italy, right? Where's he from?"
    "You know all this. His parents died. He's from--"
    "North Carolina," Patrick cut in. "Yeah, yeah. How come he's got no southern accent?"
    "He's traveled more than you know."
    "Right. A traveler. And his orphanage--he told me it was the Saint Christopher Home for Boys. That place burned to the ground in 1989. Pretty convenient, don't you think?"
    "I think it's pretty convenient you know this stuff, Pat. You've been snooping."
    "I'm allowed to snoop when the welfare of my daughter's at stake." Tina tried to purge that conversation from her head, but it kept banging at her as Stephanie sang, her voice carrying crystal-clear through the auditorium. Tina didn't even know what the song meant, but it was gorgeous.
    "Look, Pat. I could bitch about how you left me when I was pregnant and needed you most, but I'm not angry about that anymore. The way things ended up . . I'm happy. Milo treats us well; he loves Stephanie like his own. Do you understand what I'm saying?"
    Stephanie's pitch rose, the music swirling around her. She nearly bellowed the last lines, then fell silent. A final few bars of music, as Stephanie rocked in the same nonchalant dance she'd seen France Gall do in that Eurovision performance Milo tracked down on YouTube. She looked so cool, so hipper-than-thou.
    Patrick repeated, "Wow."
    Tina whistled, standing and shouting, swinging her fist in the air, exhilarated. Some other parents stood and clapped, and Tina didn't care if they were just being polite. She felt giddy all over. Milo really would've loved this.
    7
    It had been a lousy year and a half for the Company. No one could say exactly where the trail of bad luck had started, which meant that the blame leapfrogged up and down the hierarchy depending on the public mood, pausing to wreak havoc on this or that career. News cameras arrived to witness early retirements and awkward dismissals.
    Before moving on, these humiliated unemployed dropped in on Sunday morning television roundtables to spread the blame further. It was the exassistant director, a soft-spoken career spook, now exceedingly bitter, who best summed up the general consensus.
    "Iraq, of course. First, the president blames us for supplying bad information. He blames us for not killing Osama bin Laden before his big act of public relations. He blames us for uniting both of those failures into a disastrous, unending war, as if we pointed him to Iraq. We defend ourselves with facts-- facts, mind you--and suddenly the president's allies in Congress begin to pick us apart. What a coincidence! Special investigation committees. If you spend enough money and look hard enough, all organizations turn up dirty. That, too, is a fact." Georgia Republican Harlan Pleasance was the one who really dropped the bomb, back in April 2006. He headed the second special