glad to be left alone with Angel as she sat down on the edge of her chair and glanced severely about the room. She was late for her appointment, for she had been lost in London. Paddington Station had been complete confusion to her, and when she had reached Bloomsbury, with so many pauses to study the street-map she had bought, she seemed to have hurried from one square to another, like someone in a nightmare, and then all round this last square looking for the right number.
Theo saw her pale face glistening, guessed that she had been late and anxious, imagined her walking too quickly through the hot streets. Her boots were dusty and her hair untidy. He often noticed that people visiting London invariably got themselves covered with smuts which Londoners managed to escape.
He rang for some tea, giving her time to get back her breath and look about her. Then he said: âDonât think me impertinent, but I really expected someone a good deal older.â
âDo you mean that now you wonât publish my story?â
âNo, of course, my remark had nothing to do with that.â
âWhat had it to do with?â Angel asked suspiciously.
âA publisher is bound to make conjectures about an unknown writerâs age. It may seem irrelevant to you, but we should be less willing to risk ourselves over a first novel by someone of seventy than we should if it were by someone with years of writing ahead of them. âUnder or over?â we ask ourselves. That means âfortyâ.â
âDid you think I was over forty, then?â
âWe gave up guessing. You might have been a bald-headed old man for all we knew.â
He saw her stiffen. She lifted her chin. He realised that she had great pride and not a trace of humour in her. ââManâ?â she repeated. âYou knew my name. I shouldnât have deceived you.â
I must never be facetious, he thought. He poured out the tea and gave it to her.
âDo you think you will write another novel?â
âOh, yes. I can let you have another one in a few months.â
âSo soon? You must be careful not to tire yourself too quickly, or write yourself out.â
âI should never do that,â she said simply and drank her tea.
âWhat is the theme of the new book?â
âIt is about an actress.â
âAre you interested in the theatre, Miss Deverell?â
âI have never been to one.â
âThen you are a great reader, perhaps?â
âNo, I donât read much. I havenât got any books, and nowadays I am always writing.â
âBut even so, most authors take some interest in the works of others. Is there no Public Library you could join?â
A little colour came into her cheeks and she said, âI donât think I should want to.â
âThen if I send you some novels, will you read them?â
âWhat will they be about?â she asked cautiously.
âI canât make a hazard at your tastes, unless you can tell me something you have read and liked.â
âI quite liked Shakespeare,â she admitted. âExcept when he is trying to be funny.â
Mr Gilbright got up hastily and walked to the window. He appeared to be deep in meditation as he looked out over the square. âAnd?â he asked gravely, after a while.
âI liked The Three Musketeers , although I have only read bits of it in French when I was at school. And a book about a German baron who kept his wife shut up in a tower, but would never allow her to be seen by any other person. He took her meals to her himself and spent hours brushing her hair.â
âHow did it turn out?â
âThe book was taken away from me before I reached the end. I had to make up the rest for myself.â
He realised the hunger she had suffered; the deprivations of her wilful, ranging imagination, and said, âI should like to know what you invented.â
âThat she died and