bare stone plinth on which some welcoming deity or tall, nasturtium-spilling urn might once have stood, but which now presented them with nothing but a short rusty spike.
“You’d like a drink, I expect,” Tony said quickly, and after a glance at his watch led them off around, rather than through, the house. Robin let the group straggle ahead, Alex talking to their host, whom he heard say, in a tone of mild hysteria, “Not everybody likes this style of architecture.” Robin remembered trying to convince him of its virtues as an example of “rogue Gothic,” but Tony, who had been a juvenile star at Bletchley during the war, had quickly decoded the professional euphemism.
They sat on the terrace with their backs to the house. There were a couple of old deck-chairs and two straight-backed dining-chairs, their ball-and-claw feet wispy with damp grass-cuttings; Danny, in his lively disposable way, perched slightly apart from them on the low wall. Tony peered at him gratefully and said, “Would you all like a Campari?,” as if it was their favourite; and they all pretended they would.
They looked out, frowning into the sun, at what was left of a High Victorian garden, a wide round pond with a disused fountain of crumbling tritons, like angry, pock-marked babies, at its centre; the water had dropped to show the weed-covered pipe that fed it. The surrounding parterres had all been put to grass ten years before, when help had become a hopeless problem; though here and there a curved seat or a sundial or an unkillable old rose made a puzzled allusion to the plan it had once been part of. Beyond this there was a rising avenue of chestnuts which framed the brick chimney of a successful light-industrial unit.
Tony came back out through the tall french windows ushering and encouraging Mrs Bunce, who carried the sloping drinks tray. Robin knew she would not be introduced and so called out, “Hello, Mrs Bunce”; and she looked flattered if flustered by the attention. She was a widow whose age was disguised and somehow emphasised by her defiantly dyed hair and cardinal lipstick and remote resemblance to the Duchess of Windsor. She would have taken off her housecoat and straightened herself up before coming outside, where she played an ambiguous role as a silent hostess. Indoors she cooked and cleaned and managed the shrunken latter-day life of the huge house. Robin offered her his chair.
Soon Tony was admitting to the worry of the place, though no one had exactly asked him about it. Bits of the estate had been sold off in the sixties to meet beastly Labour taxes, the small farm was let on a long lease to a company which used allergy-causing crop-sprays. Now he was having two self-contained flats made in a part of the house that was no longer used, with a view to attracting well-heeled childless tenants from London. And then the Victorian Society had started to make a fuss about his great-grandfather’s mausoleum, a vandalised curiosity in what he called the park. It was in the last two matters that Robin’s practice (if you could call it that) was involved, and Tony raised his glass towards him.
“I love the house!” said Danny, grinning over their heads and up and up at the bastions of unageing red and white brick. “It’s amazing.” And more quietly, over his glass, “It’s a trip!” Tony looked pleased, but no nearer a solution to his problem.
Alex said ambiguously, “It’s stunning”; whilst Justin pulled his sunglasses from his shirt pocket and masked himself in them. On ordinary social occasions he would often be shy and ungiving.
“Did you ever think of selling the whole place?” asked Danny, as if he had a potential buyer in mind, or even wanted it himself.
“Well of course I’ve thought of it,” said Tony. “They could turn it into a training college or a merchant seaman’s orphanage and put up prefabs on the lawn. I don’t think I could let it go – you know my mother was very happy here. I