Free Age of Innocence (Barnes & Noble Classics Series) by Edith Wharton Page A

beginning to read, the savage bride is dragged with shrieks from her parents’ tent.
    The result, of course, was that the young girl who was the center of this elaborate system of mystification remained the more inscrutable for her very frankness and assurance. She was frank, poor darling, because she had nothing to conceal, assured because she knew of nothing to be on her guard against; and with no better preparation than this, she was to be plunged overnight into what people evasively called “the facts of life.”
    The young man was sincerely but placidly in love. He delighted in the radiant good looks of his betrothed, in her health, her horse manship, her grace and quickness at games, and the shy interest in books and ideas that she was beginning to develop under his guidance. (She had advanced far enough to join him in ridiculing The Idylls of the King, but not to feel the beauty of Ulysses and The Lotus Eaters.) j She was straightforward, loyal and brave; she had a sense of humor (chiefly proved by her laughing at his jokes); and he suspected, in the depths of her innocently-gazing soul, a glow of feeling that it would be a joy to waken. But when he had gone the brief round of her he returned discouraged by the thought that all this frankness and innocence were only an artificial product. Untrained human nature was not frank and innocent, it was full of the twists and defenses of an instinctive guile. And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow.
    There was a certain triteness in these reflections: they were those habitual to young men on the approach of their wedding-day. But they were generally accompanied by a sense of compunction and self-abasement of which Newland Archer felt no trace. He could not deplore (as Thackeray’s heroes so often exasperated him by doing) that he had not a blank page to offer his bride in exchange for the unblemished one she was to give to him. He could not get away from the fact that if he had been brought up as she had they would have been no more fit to find their way about than the Babes in the Wood; nor could he, for all his anxious cogitations, see any honest reason (any, that is, unconnected with his own momentary pleasure, and the passion of masculine vanity) why his bride should not have been allowed the same freedom of experience as himself.
    Such questions, at such an hour, were bound to drift through his mind; but he was conscious that their uncomfortable persistence and precision were due to the inopportune arrival of the Countess Olenska. Here he was, at the very moment of his betrothal—a moment for pure thoughts and cloudless hopes—pitchforked into a coil of scandal which raised all the special problems he would have preferred to let lie. “Hang Ellen Olenska!” he grumbled, as he covered his fire and began to undress. He could not really see why her fate should have the least bearing on his; yet he dimly felt that he had only just begun to measure the risks of the championship which his engagement had forced upon him.

    A few days later the bolt fell.
    The Lovell Mingotts had sent out cards for what was known as “a formal dinner” (that is, three extra footmen, two dishes for each course, and a Roman punch in the middle), and had headed their invitations with the words “To meet the Countess Olenska” in accordance with the hospitable American fashion, which treats strangers as if they were royalties, or at least as their ambassadors.
    The guests had been selected with a boldness and discrimination in which the initiated recognized the firm hand of Catherine the Great. Associated with such immemorial stand-bys as the Selfridge Merrys, who were asked everywhere because