squirrel,
they had said,
they’d had their say,
and I was done.
Suicide
he told me he had all the gas on
without flame
but when I got there
at 11:30 p.m. the gas was flaming and
he was drunk on the couch
with his ragged goatee:
“it got too much,” he told me,
“I got to thinking
and it got too much.”
which is good enough, we who think
or work with words, we who carve
can come up against this, especially
if we believe our early successes
and believe the game is won.
I think of Ernie tagging himself
when the time was ready
and I think of Frost
going on,
licking the boots of politicians,
telling the pretty lies
of an addled mind,
and I think,
well, Ernie’s won
another round.
I pour the kid a drink, then
pour myself one. kid?
hell, he’s 30. a lady’s man
and a master of the English
language with a
peanut-shell soul.
and I? and I? nothing more.
we drink and he reels off
petty larcenies. later I leave,
both of us alive.
the next Sunday, I’m told,
my friend was in Frisco
in a green bow tie
reading his poems to a
society of misplaced ladies.
I’m told he
gassed them to
death.
3:30 A.M. Conversation
at 3:30 a.m. in the morning
a door opens
and feet come down the hall
moving a body,
and there is a knock
and you put down your beer
and answer.
god damn it, she says,
don’t you ever sleep?
and she walks in
her hair in curlers
and herself in a silk robe
covered with rabbits and birds
and she has brought her own bottle
to which you splendidly add
2 glasses;
her husband, she says, is in Florida
and her sister sends her money and dresses,
and she has been looking for a job
for 32 days.
you tell her
you are a jockey’s agent and a
writer of jazz and love songs,
and after a couple of drinks
she doesn’t bother to cover
her legs
with the edge of the robe
that keeps falling away.
they are not bad legs at all,
in fact, very good legs,
and soon you are kissing a
head full of curlers,
and the rabbits are beginning
to wink, and Florida is a long way
away, and she says we are not strangers
really because she has seen me
in the hall.
and finally
there is very little
to say.
Cows in Art Class
good weather
is like
good women—
it doesn’t always happen
and when it does
it doesn’t
always last.
a man is
more stable:
if he’s bad
there’s more chance
he’ll stay that way,
or if he’s good
he might hang
on,
but a woman
is changed forever
by
children
age
diet
conversation
sex
the moon
the absence or
presence of the sun
or good times.
a woman must be nursed
into subsistence
by love
where a man can become
stronger
by being hated.
I am drinking tonight in Spangler’s Bar
and I remember the cows
I once painted in Art class
and they looked good
they looked better than anything
in here. I am drinking in Spangler’s Bar
wondering which to love and which
to hate, but the rules are gone:
I love and hate only
myself—
the others stand beyond me
like oranges dropped from the table
and rolling away; it’s what I’ve got to
decide:
kill myself or
love myself?
which is the treason?
where’s the information
coming from?
books…like broken glass:
I wdn’t wipe my ass with ’em
yet, it’s getting
darker, see?
(we drink here and speak to
each other and seem knowing.)
paint the cow with the biggest
tits
paint the cow with the biggest
rump.
the bartender slides me a beer
it runs down the bar
like an Olympic sprinter
and the pair of pliers that is my hand
stops it, lifts it,
golden, dull temptation,
I drink and
stand there
the weather bad for cows
but my brush is ready
to stroke up
the green grass straw eye
sadness takes me over
and I drink the beer straight down
order a shot
fast
to give me the guts and the love
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain