Free Brief Interviews With Hideous Men by David Foster Wallace Page A

reversing, never being honest with anybody? That I’ll never be a closer? That I might be a psychopath? Can you imagine what it takes to tell you this? That I’m terrified that after I’ve told you all this I’m going to feel so guilty and ashamed that I won’t be able even to look at you or stand to be around you, knowing that you know all this about me and now being constantly afraid of what you’re thinking all the time? That it’s even possible that my honestly here trying to head off the pattern of sending out mixed signals and pulling away is just another type of way of pulling away? Or to get you to pull away, now that I’ve got you, and maybe deep down I’m such a cowardly shit that I don’t even want to make the commitment of pulling away myself, that I want to somehow force you into doing it?’
    Q. Q.
    ‘Those are valid, totally understandable questions, sweetie, and I swear to you I’ll do my absolute best to answer them as honestly as possible.’
    Q….
    ‘There’s just one more thing I feel like I have to tell you about first, though. So the slate’s clean for once, and everything’s out in the open. I’m terrified to tell you, but I’m going to. Then it’ll be your turn. But listen: this thing is not good. I’m afraid it might hurt you. It’s not going to sound good at all, I’m afraid. Can you do me a favor and sort of brace yourself and promise to try not to react for a couple seconds when I tell you? Can we talk about it before you react? Can you promise?’
    B.I . #48 08-97
    A PPLETON WI
    ‘It is on the third date that I will invite them back to the apartment. It is important to understand that, for there even to be a third date, there must exist some sort of palpable affinity between us, something by which I can sense that they will go along. Perhaps go along [flexion of upraised fingers to signify tone quotes] is not a fortuitous phrase for it. I mean, perhaps, [flexion of upraised fingers to signify tone quotes] play . Meaning to join me in the contract and subsequent activity.’
    Q.
    ‘Nor can I explain how I sense this mysterious affinity. This sense that a willingness to go along would not be out of the question. Someone once told me of an Australian profession known as [flexion of upraised fingers] chicken-sexing, in—’
    Q.
    ‘Bear with me a moment, now. Chicken-sexing. Since hens have a far greater commercial value than males, cocks, roosters, it is apparently vital to determine the sex of a newly hatched chick. In order to know whether to expend capital on raising it or not, you see. A cock is nearly worthless, apparently, on the open market. The sex characteristics of newly hatched chicks, however, are entirely internal, and it is impossible with the naked eye to tell whether a given chick is a hen or a cock. This is what I have been told, at any rate. A professional chicken-sexer, however, can nevertheless tell. The sex. He can go through a brood of freshly hatched chicks, examining each one entirely by eye, and tell the poultry farmer which chicks to keep and which are cocks. The cocks are to be allowed to perish. “Hen, hen, cock, cock, hen,” and so on and so forth. This is apparently in Australia. The profession. And they are nearly always right. Correct. The fowl determined to be hens do in fact grow up to be hens and return the poultry farmer’s investment. What the chicken-sexer cannot do, however, is explain how he knows. The sex. It’s apparently often a patrilineal profession, handed down from father to son. Australia, New Zealand. Have him hold up a new-hatched chick, a young cock shall we say, and ask him how he can tell that it is a cock, and the professional chicken-sexer will apparently shrug his shoulders and say “Looks like a cock to me.” Doubtless adding “mate,” much the way you or I would add “my friend” or “sir.”’
    Q….
    ‘This is the aptest analogy I can adduce to explain it. Some mysterious sixth sense, perhaps. Not that