1991 which is too big for him and smells of his bedroom floor.
Everyone else is wearing normal,
fashionable
clothing, or professional dancewear. In particular, there’s a woman next to him who looks as if she’s pirouetted straight in from the set of
Fame
.
He smooths down his hair in a vague attempt to make himself look more presentable and sees Karen smile warmly then wink at him through the mirror. She seems to be getting on famously with the tall man in glasses. This is something Fraser greatly admires in Karen: her ability to be sociable and chirpy at all times – it’s why she makes such a good barmaid. Fraser has always found that hard, even more so these days. They are quite high up here and for some reason, as he looks out of the window, over the treetops thick with blossom, the evening spring sunshine glinting through the branches, he has a brief rush of something he remembers as happiness. Or hope. Is it hope? He closes his eyes, feels the warmth of the sun on his eyelids. He can do this. He can. He will do it for Liv.
‘OK, if you’re ready, shout, “SALSAAA!”’
Fraser nearly jumps out of his skin. Suddenly there is really loud music and a man at the front wearing a headset and wiggling his hips in a way that looks unnatural, not to mention painful.
‘SALSA!’ everyone shouts back, including Karen. How the hell does she know when to shout salsa?
‘Are we HAPPY?’ yells the man again – obviously the teacher or coach or instructor – what did they call them in the World of Dance? Fraser has no idea. The man’s gyrating his hips and shouting into the no-hands microphone that comes around the front of his face and reminds Fraser of the head-brace Norm used to have to wear at night when they were kids because his front teeth stuck out.
There’s a weak, affirmative dribble from the group.
‘Not GOOD ENOUGH!!!’ he tries again. ‘I said are you HAPPYYYYYY!!!?’
‘YES!’ everyone shouts, much louder this time.
Fraser remembers something Mia always tells him: ‘Fake it till you make it.’
Still, he can’t quite bring himself to shout ‘Yes’ back.
The instructor’s name is Calvin. He has a glorious Afro like a lion’s mane, a disgustingly toned body, which he is showing off to full effect in a tight, white vest, and buttocks that – as Liv would say – ‘you could crack a nut with’. Fraser could well hate his guts, were he not also in possession of the sunniest, most disarming smile he’s ever seen.
Calvin’s beauty, decides Fraser, is the sort that transcends a lifetime’s sexual orientation and he wonders if he might actually fancy him, just a tiny bit.
‘OK, hands up people if this is your first time today.’
His accent is hard to place – transatlantic mixed with something Latino: Brazilian perhaps, or Columbian. Whatever it is, it’s very, very cool.
Fraser puts his hand up, along with Karen, and is relieved to see at least ten other people out of the class of twenty or so doing the same.
‘Cosmic. Awesome. Right then, guys, well, we’re not going to worry, yeah?’ says Calvin, and Fraser can’t help but nod and smile. This man is like the sermon-giver of salsa. ‘We’re not going to cry, or let aaaanything get us down. We are going to salsa ourselves happy, OK?’ He flashes another amazing smile and lets out a laugh that sounds like pure sunshine. Again, Fraser feels the sides of his lips turn up – amazingly beyond his control.
‘I said, OK?’ He cups his ear, still shaking his hips, and this time Fraser manages at least to say the word ‘OK’ .
‘Good. Awesome, my friends. THIS is what I like to hear.’
Five minutes in, any hopes Fraser had of possessing some untapped talent for salsa are dashed when it becomes clear he has no natural ability whatsoever. He is an appalling dancer – so appalling, it’s even a surprise to him. He’s musical; he can play the guitar and sing in tune, so how come this does not translate to his limbs, which