chatted, she sitting in the battered wicker chair that was the gazebo’s only furnishing or perched upon the balustrade rail, while I sat on the steps or leaned against the frame of the latticed arch entrance. Our conversation ranged freely, shallow and deep, now and ago, serious and light-hearted, personal and global, the topic pivoting on a word or branching off in a new direction under the impulse of a non sequitur image or idea that appeared in one of our minds or the other. Time acted in a most paradoxical way: on the one hand, it was suspended and frozen, on the other it fled like water through our fingers.
I accepted her invitation to return for tea the next day, when again we chatted about everything and nothing. And so it was the following day, and the day after that. In my memory, all the hours we passed in the summerhouse blend together as a prolonged, but all-too-brief, time spent sitting in the dappled light, concealed in the overgrown garden, while above the trees the sky was always an ardent blue and the air was always cool and gently moving in the perfect weather of that July.
We came to using first names. We came to sharing long silences without that sense of social embarrassment that strangers have. I fell into the habit of groaning at her puns, even though some of them were admirable tricks of sound and sense requiring a considerable exercise of literary or political allusion. She came to teasing me for being typically Basque in my unlikely combination of dour earnestness and theatrical romanticism.
I was particularly fascinated by an ambivalence of mood that was so especially Katya’s. Most of the time, she was vividly alive and alert to everything around her: she pointed out birds in branches that I could not discover even when she directed my gaze to the spot; she took pleasure in the close examination of the form and structure of the petals and leaves of such flowers as had survived the long neglect the garden had suffered; she delighted in the feel of the sun on her face and the smell of the heated summer air; she loved to play with words and ideas, twisting and re-forming them with her particular sense of the ridiculous. But at other moments—rather rarely—she would suddenly retire within herself, sometimes in midsentence, and I could tell from the vague and distant look in her eyes that she was elsewhere, not in this garden, not in this world… not with me. She would gaze in silence across the garden, alone and serene in her thoughts, then there would be a slight flicker in her eyes and she would glance at me, and I knew she had returned from her reverie.
She would joke about it, saying something like, “Well, I’m back. Were there any letters for me while I was away?”
And I would say something like, “No, but there was a telegram from your brother. It seems his grandson is getting married next month.”
“Oh, really?” she would laugh. “Have I been gone all that long?”
“Very long. Nearly a minute. And very far away. Nearly beyond my reach.”
Fragments of the things we talked about during those delicious afternoon hours return to me even now, fresh and whole, like those snatches of melody from one’s youth that slip back unsolicited from the hidden reaches of the memory. Often we exchanged moments and incidents from our childhoods, shards of ourselves shared unselfconsciously, and not so much shared as remembered aloud. She recalled that she was once given a blue silk dress with a bow that she loved so much she saved it for some very special occasion, saved it so long that when she at last found a sufficiently worthy event, it was too small to be worn. She had wept bitterly. But she kept the dress and had it even now. And I told her of a bully in my mountain village who enjoyed taunting me because I did particularly well in school. He took up the practice of slapping me on the back of my head, which expression of subtle wit delighted the other children. I used to cry with
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