days later I was put by myself in a cell, where I slept on a plank bed hinged to the wall. The only other furniture was a latrine bucket and a tin basin. The prison stands on rising ground, and through my little window I had glimpses of the sea. One day when I was hanging on the bars, straining my eyes toward the sunlight playing on the waves, a jailer entered and said I had a visitor. I thought it must be Marie, and so it was.
To go to the Visitors' Room, I was taken along a corridor, then up a flight of steps, then along another corridor. It was a very large room, lit by a big bow window, and divided into three compartments by high iron grilles running transversally. Between the two grilles there was a gap of some thirty feet, a sort of no man's land between the prisoners and their friends. I was led to a point exactly opposite Marie, who was wearing her striped dress. On my side of the rails were about a dozen other prisoners, Arabs for the most part. On Marie's side were mostly Moorish women. She was wedged between a small old woman with tight-set lips and a fat matron, without a hat, who was talking shrilly and gesticulated all the time. Because of the distance between the visitors and prisoners I found I, too, had to raise my voice.
When I came into the room the babel of voices echoing on the bare walls, and the sunlight streaming in, flooding everything in a harsh white glare, made me feel quite dizzy. After the relative darkness and the silence of my cell it took me some moments to get used to these conditions. After a bit, however, I came to see each face quite clearly, lit up as if a spotlight played on it.
I noticed a prison official seated at each end of the no man's land between the grilles. The native prisoners and their relations on the other side were squatting opposite each other. They didn't raise their voices and, in spite of the din, managed to converse almost in whispers. This murmur of voices coming from below made a sort of accompaniment to the conversations going on above their heads. I took stock of all this very quickly and moved a step forward toward Marie. She was pressing her brown, sun-tanned face to the bars and smiling as hard as she could. I thought she was looking very pretty, but somehow couldn't bring myself to tell her so.
"Well?" she asked, pitching her voice very high. "What about it? Are you all right, have you everything you want?"
"Oh, yes. I've everything I want."
We were silent for some moments; Marie went on smiling. The fat woman was bawling at the prisoner beside me, her husband presumably, a tall, fair, pleasantlooking man.
"Jeanne refused to have him," she yelled.
"That's just too bad," the man replied.
"Yes, and I told her you'd take him back the moment you got out; but she wouldn't hear of it."
Marie shouted across the gap that Raymond sent me his best wishes, and I said, "Thanks." But my voice was drowned by my neighbor's, asking "if he was quite fit."
The fat woman gave a laugh. "Fit? I should say he is! The picture of health."
Meanwhile the prisoner on my left, a youngster with thin, girlish hands, never said a word. His eyes, I noticed, were fixed on the little old woman opposite him, and she returned his gaze with a sort of hungry passion. But I had to stop looking at them as Marie was shouting to me that we mustn't lose hope.
"Certainly not," I answered. My gaze fell on her shoulders, and I had a sudden longing to squeeze them, through the thin dress. Its silky texture fascinated me, and I had a feeling that the hope she spoke of centered on it, somehow. I imagine something of the same sort was in Marie's mind, for she went on smiling, looking straight at me.
"It'll all come right, you'll see, and then we shall get married."
All I could see of her now was the white flash of her teeth, and the little puckers round her eyes. I answered: "Do you really think so?" but chiefly because I felt it up to me to answer something.
She started talking very fast in the