Anarchy and Old Dogs (Dr. Siri Paiboun)

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Authors: Colin Cotterill
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wasn't a place with a distinguished history. That mantle was held by Bassak, twenty-five miles downriver. That city, the old capital of Champasak, had been the seat of omnipotent and notorious regents: a place of legends. At one period in history it had been the heart of the southern kingdom, then one day it had ceased to beat, had lost the will to be great.
    Pakse, on the other hand, had always been a more logical base for trade because of the confluence of the rivers and its proximity to Thailand. The French had recognized this fact and made it their center of administration in the south. The only wonder was why it hadn't become the capital sooner. Once deserted, Bassak fell to ruin. As any good historian knows, nostalgia is always a poor relative to commerce.
    So, as a city built on greed, Pakse was never likely to be a place one would visit just for enjoyment. There was nothing grand or spectacular to put on a postcard and impress people at home. Not even the ugly unfinished palace of the exiled regent warranted a photograph. The government buildings were practical and basic; the houses had been constructed for seeing out of. Even the temples were pale recent copies of their sisters in the north. The roads were yellow clay and what few plants had survived the development were camouflaged in its grime. If the northern capital of Luang Prabang was a jewel in the Indochinese crown, Pakse was the seat of the royal underpants.
    Siri and Civilai obviously weren't occupying adjoining rooms on the second floor of the Pakse Hotel to partake in the joys of city sightseeing. Civilai had turned up there without his trademark glasses and wearing a monk's tight woolen beanie. He'd checked in under the name of Sawan and was certain the night clerk had no idea who he was. Nobody knew or cared who Siri was, so he checked in under his own name. The two counterrevolutionaries sat on the edge of Civilai's bed staring at the amazing cross-stitch depiction of stags in a Nordic stream that had been framed and hung on the wall. A ceiling fan rocked perilously above their heads.
    "Makes you want to go to Scandinavia, doesn't it?" Siri said.
    "What time is it?"
    "Eight."
    They'd left Wattay Airport early and made good time. There would be no knowledge gained with regard to their quest until daylight.
    "Want to do something?"

    They arrived at the little Pakse Cinema ten minutes after the film had started. It was a delight to be there. The Odeon, the only picture house in Vientiane, had been commandeered as a political lecture hall. The day that happened, Civilai and Siri's hearts had been deprived of oxygen. They'd been starved of one more breath of culture. The old boys were movie aficionados: addicts, some might say. Their habit had been nurtured in the smoky cinemas of Paris. In Hanoi, and in the caves of Huaphan, they'd attended every film projection, no matter how desperately awful the movie on offer promised to be. They were perhaps the only two in the audience to derive pleasure from such blockbusters as Rural Sanitation in Southern Yunan and The Benefits of Oiling Your Weapon. They'd left the cinema cave in tears after a showing of The Public Humiliation of an Illiterate Goat Herder. The films didn't matter. It was the atmosphere they loved, that truly social feeling of strangers sharing emotions, laughing together, being thoroughly depressed together, being moved as one, like passengers on a funfair ride. They missed it: that instant communism.
    As they paid their hundred kip they heard gales of laughter emanating from inside the picture house. The cashier told them they should go through the heavy black doors and wait until their eyes were accustomed to the darkness. Then they could sit wherever they liked. The house wasn't full Not too many people could afford a night out at the cinema these days. A hundred kip was almost forty cents, and money like that could be better spent.
    They did as they were told, stood inside the thick curtain

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