Free The Ambassadors by Henry James Page B

hotel, face to face over
a small table on which the lighted candles had rose-coloured
shades; and the rose-coloured shades and the small table and the
soft fragrance of the lady—had anything to his mere sense ever been
so soft?—were so many touches in he scarce knew what positive high
picture. He had been to the theatre, even to the opera, in Boston,
with Mrs. Newsome, more than once acting as her only escort; but
there had been no little confronted dinner, no pink lights, no
whiff of vague sweetness, as a preliminary: one of the results of
which was that at present, mildly rueful, though with a sharpish
accent, he actually asked himself WHY there hadn't. There was much
the same difference in his impression of the noticed state of his
companion, whose dress was "cut down," as he believed the term to
be, in respect to shoulders and bosom, in a manner quite other than
Mrs. Newsome's, and who wore round her throat a broad red velvet
band with an antique jewel—he was rather complacently sure it was
antique—attached to it in front. Mrs. Newsome's dress was never in
any degree "cut down," and she never wore round her throat a broad
red velvet band: if she had, moreover, would it ever have served so
to carry on and complicate, as he now almost felt, his vision?
    It would have been absurd of him to trace into ramifications the
effect of the ribbon from which Miss Gostrey's trinket depended,
had he not for the hour, at the best, been so given over to
uncontrolled perceptions. What was it but an uncontrolled
perception that his friend's velvet band somehow added, in her
appearance, to the value of every other item—to that of her smile
and of the way she carried her head, to that of her complexion, of
her lips, her teeth, her eyes, her hair? What, certainly, had a man
conscious of a man's work in the world to do with red velvet bands?
He wouldn't for anything have so exposed himself as to tell Miss
Gostrey how much he liked hers, yet he HAD none the less not only
caught himself in the act—frivolous, no doubt, idiotic, and above
all unexpected—of liking it: he had in addition taken it as a
starting-point for fresh backward, fresh forward, fresh lateral
flights. The manner in which Mrs. Newsome's throat WAS encircled
suddenly represented for him, in an alien order, almost as many
things as the manner in which Miss Gostrey's was. Mrs. Newsome
wore, at operatic hours, a black silk dress—very handsome, he knew
it was "handsome"—and an ornament that his memory was able further
to identify as a ruche. He had his association indeed with the
ruche, but it was rather imperfectly romantic. He had once said to
the wearer—and it was as "free" a remark as he had ever made to
her—that she looked, with her ruff and other matters, like Queen
Elizabeth; and it had after this in truth been his fancy that, as a
consequence of that tenderness and an acceptance of the idea, the
form of this special tribute to the "frill" had grown slightly more
marked. The connexion, as he sat there and let his imagination
roam, was to strike him as vaguely pathetic; but there it all was,
and pathetic was doubtless in the conditions the best thing it
could possibly be. It had assuredly existed at any rate; for it
seemed now to come over him that no gentleman of his age at
Woollett could ever, to a lady of Mrs. Newsome's, which was not
much less than his, have embarked on such a simile.
    All sorts of things in fact now seemed to come over him,
comparatively few of which his chronicler can hope for space to
mention. It came over him for instance that Miss Gostrey looked
perhaps like Mary Stuart: Lambert Strether had a candour of fancy
which could rest for an instant gratified in such an antithesis. It
came over him that never before—no, literally never—had a lady
dined with him at a public place before going to the play. The
publicity of the place was just, in the matter, for Strether, the
rare strange thing; it affected him almost as the achievement