close. I can call him on his cell and he’ll show
up in minutes.”
Joe pioneered a rather laissez-faire approach to managing dancers.
His dancers are free agents, essentially operating as vendors in his mall
of flesh. He doesn’t pay them, and they don’t share their earnings with
him. They only tip other employees—the waitresses, door girl, man-
ager, and bouncers. At night, dancers are expected to tip out thirty-six
dollars, which is less than half the rate of most other clubs.
In addition to their tip-out to other employees, dancers feed the
jukebox. They prefer that to tipping a DJ because it saves them money
since DJs typically demand 10 percent of a dancer’s tips. Plus, DJs
bring their own drama, Mary says. “A lot of times DJs play favorites,
try to get the girls to pay him more, and all kinds of stuff. Some are real
slimeballs.”
Mons dancers set their own hours, allowing them to attend class or
raise families and still earn as much as six figures a year. Most don’t
proof
work there longer than seven years, Mary says. “More than not, they
see it as their ladder to something else. A lot go to college. Some leave
and then come back because they want to make extra money. They may
want to buy a house or pay for their kid’s school.”
Standing nearby, Alana, a twenty-three-year-old dancer whose
white, lacy pull-up bra glows against her chocolate skin, says she’s
working her way through design school. She likes working at the Mons
because unlike a local topless club where she worked, she doesn’t have
to perform in a private VIP room and is not expected to do more than
dance. She says, “That other place was basically a whorehouse.”
ap
With money so good and the hours so loose, Mary says that Joe has
Mar
no problem getting Playboy centerfold–quality dancers like Alana. She
t
notes that he prefers petite women and insists that they stay trim.
Fo
“Beauty is in the eye of the beholder and some men complain that they
gni
would like a girl with more meat, more curves, but this is what Joe
K e
likes,” she says with a sigh. “Like that girl,” she says pointing to a dancer
ht
on the stage who weighs no more than 125 pounds. “She’s pushing it
9
but she has nice curves.”
4
Feeling thoroughly dejected with my physical state, I call it a night
even though closing isn’t until 5:00 a.m. As I squeeze past a horde of
incoming customers, Mary calls out: “You know you can’t write about
this without getting a lap dance. You’re going to have to come back.
And bring your husband!”
I laugh. That’s not going to happen.
Crack Whore Stories
Mons may garner the most glory, but it is but a small, though highly
touted, piece of Trampa. The area has forty-three topless and nude
clubs. The phone book and adult business directories list more than
120 other erotic businesses within Tampa’s city limits. Name a medium
of sexual pleasure and Tampa has it, homegrown. The city is heavily
spiced with pornographers of film and books, XXX theaters, swing-
ers’ bars, fetish clubs, massage parlors, lingerie modeling, and adult
bookstores.
Then there are the unlicensed outcall services and advertised paid
escorts. Tampa’s prostitutes don’t just work the streets, hotels, and
tourist haunts; they get on jets and fly to meet Johns across the coun-
proof
try. One madam tells me she based her operation in Tampa Bay because
of the beaches and the convenience to Tampa International Airport.
Paul Allen, publisher of NightMoves, Tampa Bay’s leading adult-
entertainment guide, naturally relishes the flourishing local flesh in-
dustry. “It isn’t quite the holy land, but it’s a very adult-friendly at-
mosphere,” Paul told the St. Petersburg Times ’ Christopher Goffard in 2002. “We’ve got beautiful girls, beautiful weather. We’ve got the
best attorneys we’ll ever need. And guys like Joe Redner have laid the
groundwork.”
Paul says
Stella Noir, Roxy Sinclaire