dates, began to stop mid-step and stare at him.
And Dolly knew. Which was why it was so important to push forward the Plan. She’d thought of it more than two years before, when he first brought the little mouse home: Frankie had to marry her.
She was from a good family, a family with money, with a big wooden house and five sisters who had married lawyers or accountants. Even if she wasn’t beautiful, she was pretty, with a quiet dignity about her: She would make good babies; she would take care of a household.
And Nancy Barbato would never threaten Dolly’s supremacy.
The Plan was accelerated when Frank met the older one. The truth of it was that there were many girls now, coming out of the cursed knotty-pine woodwork of the Rustic Cabin, bewitched by the sound of his voice. They were writing letters to him, mash notes in perfumed envelopes—Dolly stuffed them straight into the garbage, with the coffee grounds and grapefruit rinds. They were storming his front door, just as she had known they would. And the older one was the most dangerous of all: cheap trash from Lodi—her father was a rumrunneror something. She was three years Frankie’s senior, Antoinette Della Penta, and pretty, but with a fucked-out look about her—she might as well have been a whore as far as Dolly was concerned. Mrs. M. Sinatra of upper Garden Street hadn’t pulled her little clan up from Guinea Town to have her only son grabbed by a gold-digging hussy.
There had been a dinner between the two families, Dolly and Marty generously making the trip to Lodi, but it had not gone well. Dolly—no surprise—had spoken her mind.
Still, Toni kept coming on strong even as Frankie continued to woo Nancy. For a while it was fun, Nancy and Toni coming alternate nights to the Cabin, Nancy the good girl sitting uneasily as the other women stared openmouthed at her Frankie. Nancy the good girl, with her sweet face and sweet hair and sweet kisses—and kissing was where it stopped.
Then, on the other nights, Toni the bad girl, or the girl with the promise of badness anyway. He couldn’t help himself; he was so desperate to have her that he gave her a ring, not a big stone, a cheap chip of diamond, but it did the trick. She let him take her to a hotel, and they registered as Mr. and Mrs. Sinatra. She teased him mercilessly as he lay there with his eyes rolled back in his head. Had anyone ever done that for him?
Certainly not Nancy. But then came the night after Thanksgiving, when Nancy and Frank were sitting in a booth between sets and Freddy the busboy brought the black telephone to the table. Freddy gave Frankie a funny look:
For you, kid
. Nancy, giving him her own look, a look of power and ownership, pushed Frank’s hand away from the phone and picked up the receiver.
He sat there with his hand over his eyes as she went at it pretty good. He was surprised at how tough she was. She’d pull Toni’s hair out by the roots if she ever caught her anywhere near her Frank.
His stomach warmed to hear that, but then, after she slammed down the receiver, he knew he was in for it. The bawling out, though, that was the easy part. The hard part was dealing with the other one.
Half an hour later, she stomped into the Cabin as he was aboutto start singing and walked toward him, but Nancy stopped her. Then they were flailing at each other like two cats. The music stopped and everyone stared. Before Frank and the other waiters and the busboys could get between the women, Toni had ripped Nancy’s good white dress.
It was a long night, but he stuck to his story: The woman was nothing to him. It had been a flirtation, and it was over. The woman couldn’t face the facts.
The next night, Saturday, things got worse. After he’d sung “Night and Day,” there was a stirring on the dance floor, and two cops in motorcycle boots stomped in and arrested him right in front of everyone.
Frankie tried to bluff it out. Mistaken identity, he announced, as they led him
Cordwainer Smith, selected by Hank Davis