you?â
âJules, itâs me, Kate. I visited your studio with Vincent, remember? And I saw you at the Métro station that day of . . . the crash.â
His expression changed from blank to amused. âI am afraid that you have me confused with someone else. My name is Thomas, and I donât know anyone called Vincent.â
Thomas, my foot, I thought, wanting to shake him. âJules. I know itâs you. You were in that horrible accident when . . . just over a month ago?â
He shook his head and shrugged, as if to say, Sorry .
âJules, you have to tell me whatâs going on.â
âListen, um, Kate? I have no idea what youâre talking about, but let me help you over to that bench. You must be overexcited.Or overwrought.â He took me by my elbow and began leading me back to the benches.
I jerked my arm away and stood facing him with fists clenched. âI know itâs you. Iâm not crazy. And I donât know whatâs going on. But I accused Vincent of being heartless for running away from your death. And now it turns out youâre alive.â
I realized that my voice had been rising as I saw a security guard head our way. I flashed Jules a furious look as the uniformed man walked up to us and asked, âIs there a problem here?â
Jules calmly looked the guard in the eyes and said, âNo problem, sir. She seems to have mistaken me for someone else.â
âI have not!â I hissed under my breath, then left, walking quickly toward the exit. Turning to see Jules and the guard staring my way, I strode out of the museum and ran down the escalators.
There was only one place I could go.
The subway ride back to my neighborhood seemed interminable, but finally I found myself sprinting up the Métro steps into the fading sunlight and heading toward the rue de Grenelle. Standing before the massive vine-draped wall, I rang the doorbell. A light went on above my head, and I looked up into a video surveillance camera.
âOui?â a voice asked after a few seconds.
âItâs Kate. Iâm . . .â I paused, momentarily losing my courage. But remembering the cruelty of my last words to Vincent, I spoke with renewed resolve. âIâm a friend of Vincentâs.â
âHeâs not in.â The male voice crackled metallically through the tiny speaker on the bottom of the keypad.
âI need to talk to him. Canât I leave a message?â
âDonât you have his phone number?â
âNo.â
âAnd youâre a friend?â The voice sounded skeptical.
âYes, I mean no. But I need to talk to him. Please.â
There was a moment of silence, and then I heard the click that meant the gate had been unlocked. It swung slowly inward. Across the courtyard, a man stood in the open doorway. My heart dropped an inch when I saw that it wasnât Vincent.
I walked quickly across the cobblestones to face the man, trying to come up with something to say that wouldnât make me sound like a crazy person. But when I reached him, all words escaped me. Although he seemed to be in his sixties, his faded green eyes looked centuries-old.
His longish gray hair was smoothed back with pomade, and his face was punctuated by a long, hooked, noble-looking nose. I immediately recognized in his face and dress the mark of French aristocracy.
If I hadnât already met his type as clients of Papyâs antiques business, I would have recognized his features from the portraits of nobility hanging in every French castle and museum. Old family. Old money. This palace of a house must be his.
His voice cut me off midthought. âYouâre here to see Vincent?â
âYes . . . I mean yes, monsieur .â
He nodded approvingly as I corrected my manners to befit his age and station. âWell, I am sorry to inform you that, as I said before, he is not here.â
âDo you