walkway or kicking; around the alleys in Venice or in Ocean Front Park or anywhere else you see the homeless. Maybe she's not one of the locals.'
'Is there anything else you remember about the encounter?'
'It wasn't much of an encounter, Detective. I opened the door, she got scared, I offered to get her some food, she ran off.'
Milo scanned his notes. 'You've got a great memory, Ms Barnes.'
'You should've known me a few years ago.' The old woman tapped her forehead. 'I'm accustomed to taking mental snapshots. We artists view the world with a high-focus lens.' Two rapid blinks. 'If I hadn't chickened out of my cataract surgery, I'd be doing a lot better.'
'Let me ask you this, ma'am: Could you draw me a picture of this woman? I'm sure it would be better than anything our police artist would come up with.'
Barnes suppressed a surprised smile. 'Haven't drawn in a while. Shifted to ceramics a few years ago, but, sure, why not? I'll do it and call you.'
'Appreciate it, ma'am.'
'Civic duty and art,' said Barnes. 'All in one swoop.'
As I drove back to Cafe Moghul, I said, 'How seriously do you take it?'
'You don't?'
'CoCo Barnes has cataracts, so who knows what she really saw. I still think the murder smacks of planning and intelligence. Someone well composed mentally. But that's just a guess, not science.'
He frowned. 'Tracking this redhead down means getting hold of the patrol officers where the homeless hang out, dealing with the social service agencies and the treatment centers. And if Barnes is right about the
redhead not being local, I can't limit myself to the Westside.'
'One thing in your favor,' I said, 'a six-foot woman with curly red hair isn't inconspicuous.'
'Assuming I find her, then what? What I've got is a probable psychotic who Dumpster-dove in the alley five hours before Julie got strangled.' He shook his head. 'How seriously am I taking it? Not very.'
A block later: 'On the other hand...'
'What?'
'If I don't turn up anything else, soon, I can't afford not to chase it down.'
I pulled up alongside the loading zone in front of the restaurant. A parking ticket was folded under the windshield wiper of his unmarked. He said, 'Want to meet Everett Kipper?'
'Sure.'
He eyed the citation. 'You drive - long as I'm renting, I might as well occupy.'
'Will the city reimburse me?'
'Oh, sure. I'll FedEx you a box of infinite gratitude.'
Everett Kipper worked at a firm called MuniScope, on the twenty-first floor of a steel-and-concrete high-rise on Avenue of the Stars just south of little Santa Monica. Parking fees were stiff, but Milo's badge impressed the attendant, and I stashed the Seville for free.
The building's lobby was arena-sized, serviced by a dozen elevators. We rode up in hermetic silence. Muni-Scope's reception room was ovoid, paneled in bleached bird's-eye maple, softly lit and carpeted, and ringed by
saffron leather modules. Milo's badge elicited alarm from the hard-faced, hard-bodied receptionist. Then she recovered and compensated with toothy graciousness.
'I'll ring him right away, gentlemen. Can I get you something to drink? Coffee, tea, Sprite, Diet Coke?'
We demurred and sank down in yellow-orange leather. Down-filled cushions. No corners in the egg-shaped space. I felt like a privileged unborn chick nestled in - high-rent surroundings.
Milo muttered, 'Cushy.'
I said, 'Put the client at ease. It works. I'm ready to peck through the shell and buy something.'
A man in a black suit appeared from around a convex wall. 'Detectives? Ev Kipper.'
Julie Kipper's ex was a thin man with a big voice, a blond-gray crew cut and the smooth round face of an aging frat boy. Forty or so, five-eight, one-fifty. His bouncy stride suggested gymnastics or ballet training. The suit