Free Someone by Alice McDermott Page B

when I looked up at him: the dark hair and that pale face, and then the gray eyes turned translucent in the sunshine.
    “Nothing wrong with it,” I said. “This one just screws up on me sometimes. When the sun’s strong.”
    “Well, don’t let it,” he said. “It makes your whole face look funny.”
    Back home, before the tiny mirror above the narrow bathroom sink, I saw it: the way the right eye, screwed closed, pulled at the corner of my mouth so that I looked like a tough with awad of chewing gum in my cheek. How my glasses, thick bottle bottoms, stayed steady on my nose despite the contortions of the face behind them.
    I was reminded for a moment of Walter Hartnett as a boy, the way he had held his hands behind his back, placid and wise beside blind Bill Corrigan. I was reminded of the sagacity with which Walter would nod whenever Bill Corrigan made his impossible calls. As if only he and the blind man could see what the rest of them could not.
    I opened up the offending eye. Smiled at the mirror and said, “How’s that?” Took my glasses off entirely and smoothed the skin under my eyes and said, “Is that better?” Walter Hartnett. Mister Hartnett. Brushed my hair back—dark and thick but, like the scrinching eye, with a mind of its own—and peered into the small mirror, which showed me now only a smear of face and hair and smiling teeth, made my eyes as large as I could make them, and said out loud, “Is that better, Mr. Walter Hartnett?”
    When he called that afternoon—his voice a small and miraculous thing inside the big black receiver—he apologized if he had been rude. It was none of his business, he said, what I did with my eyes. Later, in reconstructing the conversation in what was to be the first night of my life when sleep escaped me entirely, I replied, “Not at all,” but in truth, I’d barely murmured a word. “I’m bossy sometimes,” he said. “I get it from where I work. They give me a lot of responsibilities. Do you want to go out for a soda?”
    When my daughters began dating, I told them, “Here’s a good rule: If he looks over your head while you’re talking, get rid of him. Walter Hartnett …” But by then they would throw up their hands. “Jesus, Mom, no more Walter Hartnett stories.”
    Walter Hartnett on the candy-store stool looked over my head every time a figure appeared in the cornered doorway behind me. It got so I felt I could see them, too, the other peoplecoming in out of the evening sun, as if I could feel their cool shadows upon my back as they stood for a moment in silhouette and Walter looked beyond me to see who it was. “Hiya,” he would say if he knew them—I might have been in mid-sentence—“How are you?” He’d shoot a finger up beside his face to signal a hello. Or just stare—this was for entering strangers—his eyes following whoever it was into the candy store, wondering, calculating, assessing as a man alone might do—a man alone and unguarded in the brazenness of his gaze. And then his gray eyes would drop to my face once more. There would be a second of utter indifference, boredom perhaps, and then a slow dawning—Oh yeah, you—a slow warming as his attention returned to me once again—Well, I’m happy to be here with you—sometimes even as much as a smile entering those dark-lashed eyes, and then they would flick up again, over my head, to greet with a raised chin, or only to observe, whoever it was whose shadow had fallen over my back. Then his eyes would return to my face, unseeing once more, and then the slow recognition would begin again.
    It could only have been second nature to him, this veering attention. He couldn’t have calculated its effect. But it was, for me, by turns, devastating and thrilling, so that by the time our sodas were finished and we slipped from our stools, I was unsteady on my feet from the dizzying turns my hopes, my heart, had been taking. My pumps caught themselves, somehow, against his built-up