“giver of due regard”
you prayed to Saint Lucy once. I rise
before you, glass raised, to insist
that regarding you was never hard,
you for whom seeing is the keenest praise.
FROM A BALCONY, LAKE COMO
1.
Up close, last night’s beads of rain
cling to the underside of the railing
like berries to a vine.
2.
Is it still raining? How to be sure
this morning, if not for the tall
columnar cypress
so many plummeting
meters down, a solemn
sentry standing at attention
to everything that can’t be seen
by the human eye? Only
against such opacity
can we discern the soundless
drizzle, a mild
disturbance like midges.
3.
A blur of terra cotta
and ochre here and there:
while I describe it,
4.
the village is clearing a little.
Just below, a gardener’s
broom of snapped branches
scratches a surface,
sidelines another heap of debris.
On a rooftop (so far from us
it’s a floor), a roofer
plants his boots on the tiles,
fixing the middle distance.
5.
From which the village climbs again,
receding from
the valley in switchbacks
(we can tell because
of that minuscule vehicle
ducking in and out of trees)
to scale the face of the first
cloud-haloed
mountain in a series
of mountains, each slipped
neatly behind the last:
ever-flatter and -duller
file folders of color,
emerald to jade to a faded
wafer of blue so watery
it comes out of sumi-e.
A Japanese- or Chinese-
Italian scroll, a vertiginous
landscape hung
in the empty niche
between the open French windows.
6.
When did the puddle
of rain on the balcony
chair disappear?
I thought I was looking.
Did it drip through the slats?
Evaporate? What?
7.
Sun picks out
the young olive trees
positioned widely in a field
with their new shadows,
as if gawkily waiting
to be tagged in a game.
And on the lake, finally,
all agitations, tremblings
longed-for are visible:
slubbed yellows, prismatic
pinks like the costly
shantungs of Como
smoothed out on a counter,
cupped again, crumpled,
marveled at, lifted
to light; set aside.
8.
Behind the brooding,
regrouping humidity,
lightning
is assembling all our
slate-blue, shifting
late afternoons into one simple,
zigzagged, single-minded line:
not here yet, but
coming on schedule
like the ferry pushing
off from Varenna,
appointed to veer this way.
CONSTELLATIONS
His parents want him to play less.
Well then, they should have thought ahead—
they knew the type of mind he had;
Dad never should have taught him chess.
But face it, Dad’s still limited
at seeing long-term consequences.
Dumb strategies, those lame defenses—
it makes him sad, alone in bed
on a Saturday night, beneath a quilt
his mother calls a floral chessboard;
at only five years old, he’d floored
them both by beating him. (It’s guilt,
not sadness, that he’s really feeling:
he gets the picture faster than
they’ll ever fathom.) Tonight again
he looks up at his stickered ceiling
for the vision of the infinite
Grand Master. There, instead of glue-on,
glow-in-the-dark stars, the view
some guys make do with, he has eight
squares by eight: a constellation
of white on black, a sixty-four-
tile universe, a dizzy dance floor
on which his moves, some combination
he thought of, might not have been seen
once in the game’s unending annals.
King-usurping gambits, channels
around the wide skirts of the queen.
He should be “thinking about dating,”
his mother says. As if he isn’t!
She seems to think he’s self-imprisoned
here, that some brave girl is waiting
to rescue him, like Rapunzel, from
the castle. Of course he’s desperate
to kiss them, to plunge into that sweet
wet something: but thinking hard can summon
even that sensation. It’s long
since he has bothered clasping, lifting
a piece: admittedly, the shifting
of objects on a plane isn’t wrong,
if you need that, but he’s in a
Jessica Coulter Smith, Smith