Free The Gargoyle by Andrew Davidson Page A

tricks on me.
    Third explanation: this woman liked my pornographic films and knew about the scar on my chest. It was a well-documented celluloid fact, as I’d never bothered with makeup to cover it. (Too much sweat in my genre.) Except that I was registered in the hospital not under my porn name but under my real one, and given the way I looked it would have been impossible to recognize me as the man I once had been.
    Final explanation: this woman
loved
my pornographic films and was a stalker who had tracked down my now-defunct production company. Someone, probably my bastard lawyer, had informed her of my accident and pointed her in the direction of the burn ward.
    But if she was an obsessed fan, why didn’t she mention my former career? And if she had come looking for the actor that she’d seen, how could she have seemed so pleased to meet the new me? And, finally, while much about the woman’s behavior was odd, there was certainly nothing to suggest a hardcore porn addiction. Trust me, I’ve seen enough perverts in my life to pick them out of any crowd.
    I supposed I would just have to ask her when she came again, because somehow I knew that she would. When I informed my nurses that I would welcome any future visits from the woman in the psychiatric ward, they all smiled strangely at me. How sad, they must have thought, that I looked forward to visits from a madwoman. But this did not deter me, and I even asked Beth to find out the woman’s name. She refused to do any such thing, so I asked Connie. She also said it was against hospital policy to divulge the specifics of another patient. To this, I suggested that it would be “very, very mean” if Connie did not help me learn the name of the only person who had visited me in so long. As she wanted more than anything else to be kind, Connie soon came back with the information I’d requested.
    The woman’s name was Marianne Engel.
     

     
    I was taller before the accident. The fire contracted me like beef jerky during the curing process. I had once been as lean and adorable as a third-century Greek boy, with buttocks ripe like the plump half-melons for which Japanese businessmen will pay a small fortune. My skin was as soft and clean as undisturbed yogurt, my stomach was divided into symmetrical pads, and my arms were sleekly muscular. But it was my face that was my coat-of-arms. I had cheekbones that would have been at home in Verlaine’s wet dreams. My eyes were dark and deep enough for a small spelunking club to make a day expedition of them. A gay man once told me how much he yearned to let the plum of his penis rest softly upon my bottom lip. I laughed at him but secretly regarded it as a wonderful compliment.
    Since my accident, I’ve tried to lose my vanity, but I still struggle with it. I remember the past, when my face was perfect, and when the wind would lift my hair so that it looked like the soft under-feathers of a bird’s wing. I remember when women turned on the streets to smile at me, wondering what it might be like to own my beauty for even one shining moment.
    If you accept the description of the beast that I am now, you should also accept the description of the beauty that I was. And since meeting Marianne Engel, I had felt that loss—especially at the empty juncture between my legs—all the more acutely.
     

     
    She again graced my doorway about ten days later, dressed in a cloak that appeared to be of the finest medieval cut. This is not me having a little fun at your expense; she really was wearing just such a thing. The hood hung over her face and her eyes shone like aquamarine in a mine. She drew a finger to her lips, warning me to be quiet, and moved to my bedside stealthily. I wanted to laugh but I could tell that this, for her, was serious business. As soon as she was at my side, she pulled shut the curtains so that we might, again, have our privacy. She needn’t have worried, because at that time there were only two other patients