design fabrics; he tried
out his ideas on actual pieces of cloth, to see what
effects he could achieve before the work went into
larger-scale trials.
"Also," I said, "jerk that he is, Victor didn't kill
Reuben. And I'd say an unjust murder conviction is
going a little far." In the personal revenge department,
I meant; Paddy knew that my history with Victor
wasn't exactly silk-lined.
He glowered, still deciding whether to talk to me at
all. Meanwhile I thought again how much of a Renaissance
man it was still possible to be, here in Eastport.
Basic design, dye experiments, fabric tests: with no one
around to tell him that he couldn't do it all, Paddy just
went ahead and did.
It was, I'd gathered, an unconventional way of
working. But stubborn, pugnacious Paddy had made a
success of it; from his small Maine island studio here at
the back of beyond, he did business with clients in Europe,
South America, and Japan, as well as in the
United States.
In one corner of the studio hung the big weight bag
and the punching bag that Terence worked out on
when he wasn't jogging or bicycling. His ten-speed
leaned against the wall nearby.
"And Wade," I finished, "has got a mad-on at himself
about something. I don't know what, but I know
it's to do with Reuben."
I faced Paddy. "So are you going to help me or
not?"
He still looked unhappy, pained and put-upon in
the extreme, but no longer so flatly rejecting. "You
were awfully useful, solving that little tax problem I
had earlier this year," he conceded reluctantly.
Paddy was good at earning money hand over fist,
not so good at spending it on anything other than his
beloved studio. Sending any of it to the government,
for instance, was anathema to him. Thus his tax problems
had ended up being soluble only by dint of my
brushing off my tax-preparer credentials and going to
Augusta, and falling on my very own personal knees in
front of the revenue officials.
"If I could just cast doubt on the theory," I said.
"Show that somebody else is at least as good a suspect
as Victor."
Paddy eyed me over another stack of colored
sketches. The patterns were for watered silk in shades
of salmon and turquoise, the effect a pearly shimmer.
"A suspect," he suggested thinly, "such as myself?"
"No," I denied, although the thought had of
course occurred to me. Paddy had been pretty vocal
about his feelings, the night before. "Just ..."
Terence Oscard looked up from a table where he
was writing something in a spiral notebook. Lined up
nearby with his writing things was a collection of potions,
pills, lotions, ointments, and herbal remedies, all
of which he used regularly to ward off real or imaginary
ailments.
"Paddy was with me all evening," he said firmly.
"All," he emphasized, "evening."
The big man waved at the open staircase leading to
the top floor, where Paddy had put the living area.
Mounted on each of the pillars under the stairs, and on
other pillars dividing the whole area of the workspace,
were bright red fire extinguishers.
The effect was of little drops of blood sprinkled
evenly on a background of snow. But the cylinders
were also reassuring; if a fire got started here it could
take the whole downtown with it, not to mention all of
Paddy's investment.
"I'm very glad to hear it," I told Terence. His left
hand, I noticed, was wrapped in an Ace bandage he
hadn't been wearing at La Sardina. But I paid little
attention; probably it covered some minor wound that
might, to a normal person, be worth a Band-Aid, or no
treatment at all.
"It means," I went on, "Paddy can tell me all he
knows about Tate and anyone who might have wanted
to kill him, without worry about incriminating himself."
Which was not strictly true. If it came to these two
having to alibi each other, I wouldn't've put much faith
in it. But it hadn't come to that--at the time, I had