Free The Emperor Waltz by Philip Hensher Page A

everything,’ he said. ‘It all went – family and business and home and everything.’
    ‘I am sorry,’ Christian said formally. He wondered whether now was the time to offer to show Neddermeyer the drawings he had done that morning. He decided that now was not the time. ‘Thank you so much for the coffee, Herr Neddermeyer.’
    ‘I believe that Herr Wolff will be joining us for dinner,’ Neddermeyer said wretchedly. ‘So the topic for tonight will be politics.’
    ‘I look forward to that, too,’ Christian said, letting himself out with what he felt was an expert smile, like a doctor leaving a patient in pain, a patient midway through a fit of raving.

13.
    Before supper, Christian wrote a letter to his brother Dolphus.
It is not very much like being a student of art in the opera, living at Frau Scherbatsky’s house. I do not think I could bring mistresses with tuberculosis to die in the attic – like in La Bohème . (No attic, too.) It is a large, dull, ugly villa, built not ten years ago by a local architect. He also lives here, the architect, so it is important to compliment the beauty of the house, the convenience of the rooms, and so on, very regularly. I thought at first he was living here as a lodger, because he had fallen on hard times after the war. Actually, he has formed a connection with Frau Scherbatsky. They keep up appearances, but their connection is an intimate one. There is another lodger, a man named Wolff, who has been away, but who I have seen since starting this letter, walking in the garden smoking a cigar. I can only describe him from what I have seen – a small, well-built man, with very short grey hair, carrying a cane and wearing plus-fours. He appears alert and fit – he was whacking the side of his legs with his cane as he walked, quite vigorously. He may be younger than my landlady and her architect friend. He was accosted by Neddermeyer, as the architect of the house is called, who came out to exchange some friendly words with him, but he responded briefly and continued walking briskly from one side of the lawn to the other. Neddermeyer tried to keep up with him, but after a while he gave up and sat down on the bench under the oak tree, limiting himself to saying something when Wolff happened to pass him directly. He seemed to be taking exercise, or perhaps pacing because he had something to think through – you know how Papa does. What do they think of me? They deplore all students of the Bauhaus, I believe, but have not come out into the open on the subject. Luckily, because I can hardly defend it as yet. I have met only one student, a woman who introduced herself to me in the street, who I cannot believe is typical, and I have seen another, a man, through an open window. But I have already been shouted at by a stranger, an inhabitant of Weimar, who disapproved of art students indiscriminately, even of a polite fellow like your brother. (That is why I was spoken to by the woman student who introduced herself in the street – she was defending me. I think I may need a good deal of defending.)
Give my love to Papa and my best to the fellows. If there is anything in this letter which you would like to share with them, then you have my permission. I do hope you will come very soon to visit your brother – I have a good-sized room, and you would be very welcome to rough it for three or four days, and I can show you what an art student’s life is like. Do steer clear of wild company – do not drink or play cards or stay out late, now that you have no guide in life. And take care that Papa makes conversation at dinner. He is growing silent as he grows older. That is not good. The weather here is excellent and set to continue fine.
Your loving brother
C. S. T. Vogt.
    And then Christian ornamented the remaining blank half-page of his writing paper by drawing a picture with his fountain pen, which he knew Dolphus would enjoy: an Alpine landscape with a path in the foreground, and two