Free Arguably: Selected Essays by Christopher Hitchens Page B

hogs … [Men] had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft.
At the same instant the ear was assailed by a most terrifying shriek … And meantime another [hog] was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy—and squealing … It was too much for some of the visitors—the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes.
Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats.
     
    Again, the demands of verisimilitude have a tendency to work against the recruitment of any sympathy for the calloused and even brutalized laborer. Sinclair’s title, The Jungle , along with indirectly evoking the ideology of Thomas Hobbes, inverts anthropomorphism by making men into brutes. In her rather deft introduction Jane Jacobs dwells on the passage above and on the sinister implications of machine civilization without registering what to me seems an obvious point: Sinclair was unconsciously prefiguring the industrialization of the mass slaughter of human beings —the principle of the abattoir applied to politics and society by the degraded experimenters of the assembly line.
    Eugene Debs, the great Socialist Party leader and orator of that period, announced that his ambition was to be “the John Brown of the wage slaves.” This noble hyperbole was not all that much of an exaggeration: The lower orders in Chicago may have come voluntarily, to escape a Russian or a Polish house of bondage, rather than being brought by force from Africa to a house of bondage; but once here they were given only enough to keep them alive until their bodies wore out. Their children were exploited too, and their womenfolk were sexually vulnerable to the overseers. Indeed, the most wrenching section of the book comes in the middle, when Jurgis discovers that his wife has been preyed upon, under threat of dismissal, by a foreman. Not following the socialist script in the least, he sacrifices self-interest for pride and pounds the foreman to a pulp. By this means he swiftly discovers what side the courts and the cops and the laws are on, and is made to plumb new depths of degradation in prison. Among other humiliations, he stinks incurably from the materials of the plant, and offends even his fellow inmates. (We are not spared another Dickensian moment when he realizes that he has been jailed for the Christmas holidays and is overwhelmed by childhood memories.) Sinclair interrupts himself at this point to quote without attribution from The Ballad of Reading Gaol (Oscar Wilde was not long dead in 1905), and it seems a sure thing that Sinclair would have read The Soul of Man Under Socialism , the most brilliant line of which says that it is capitalism that lays upon men “the sordid necessity of living for others.”
    Robert Tressell’s novel The Ragged Trousered Philanthropists (1914) is the only rival to The Jungle in its combination of realism with didacticism and its willingness to impose a bit of theory on the readership. In both “proletarian” novels the weapon often deployed is satire: the workers are too dumb, and too grateful for their jobs, to consider the notions that might emancipate them.
Jurgis had no sympathy with such ideas as this—he could do the work himself, and so could the rest of them, he declared, if they were good for anything. If they couldn’t do it, let them go somewhere else. Jurgis had not studied the books, and he would not have known how