mud and as she tried to raise herself from the muck it only drew her in. She could not die. She was utterly, miserably wretched and her body was acceding to the darkness but she would not now let anyone else have dominion over her.
But then she could breathe; he’d plucked her up from the mud by her shirt, ripping a sleeve at the shoulder. She hit him in the chest and tried to scratch his eyes but in a flash he struck her back; when she came to she was lying in the shade of a rusted truck carcass that had been pushed off the road, some thirty meters from where they had been. The side of her face stung. But her shirt was still on, and her trousers were as well, and the American was sitting on the metal frame of the seats, torn out of the truck cab, chewing on a stalk of hay. She began to crawl away and was trying to get up on her feet when he rattled a yellow object in his hand; it was a pack of Chiclets. He tossed it at her feet and before she could open the end fold of the flat box, her mouth watered so fulsomely that she had to cough before she could stuff in all the pieces. Their hard shells cracked and then burst with sweetness.
“Take it easy, sister,” he said. He told her his name, and asked hers.
She knew English well enough that she could have answered him, but the deliciousness of the mass was so overwhelming she couldn’t help but swallow, the sticky strings of it catching at the back of her throat. She gagged, reaching into her mouth with her fingers, and then finally threw it up. When she picked up the shiny clot from the dirt to try to eat it again, he told her there was food where he was going. Other children, too. It was an orphanage, in fact, ten kilometers ahead. He had risen and stepped up onto the embanked road, his rucksack hitched over his shoulder. She could come with him if she liked.
She waited until he was well down the road, a full fifty meters ahead of her, before she began to trail him. She was chewing the gum again, now gristly with dirt. He turned and saw that she was following him and beckoned her forward with a wave as he walked slowly in reverse. She slowed as well to keep her distance, stopping when he stopped. He shook his head and resumed his march. But then a sudden swirling wind kicked up dust into the dry, hot air, swathing him in an obscuring cloud, and for a moment her heart skipped wildly with the fear that he was gone. Or wholly imaginary. But the dust cleared and his form became visible again, and she quickened her stride to follow him.
THREE
WAR IS A STERN TEACHER
, his father would sometimes say to him, quoting Thucydides, the sodden, light-boned man slung over Hector’s shoulder in their typical end-of-Friday-night lurch. Hector always helped him limp home from the workingman’s pub in their town of Ilion, New York, the normally sweet Jackie Brennan having drunk too much and turned a late night bitter-sour. Hector, fifteen years old in 1945, was still as sober as a ghost, despite having drunk a half-dozen grown men into stammering idiots, sleepers on the barroom sawdust.
“What did I say?”
Hector would repeat it, flatly and dryly.
“Good. Never go to war, son. Please never do.”
By the end of those evenings, with his father loaded up on the rye he had won on bets taken against Hector in drinking bouts, he would have to gird him all the way home, his father’s breath earthy and spiced with the cheroots he smoked all night and the pickled pearl onions he popped like almonds, both of which he swore counteracted the liquor.
His father might sing a protest ballad like “The Dying Rebel,” but on particularly long nights he grew sweaty and pain-faced and had to stop a couple times to retch into the gutter or the thickets of some Remington Arms Company manager’s manicured boxwood hedge, and then in mumbles berate Hector for his “righteous silence,” or for the “boyish piety” of his soberness. But by the time their footfalls played on the sagging plank