finger and thumb. But it was his fatherâs voice, an angry grumble . . . A stupid accident . Nicholas didnât fight the sensation that shimmied through him, some other truth lurking nearby, a shadow that when you turn around isnât there anymore. It wasnât the first time he had felt this shadowâyet he was relieved when the feeling evaporated. He waited to make sure the moment had passed, and told himself that memory was a tricky thing. Then he closed his eyes, to try to find again the village, the beach, the cry of gulls. He continued working into the wee hours.
ALONE IN THE REHEARSAL ROOM, Remy leaned closer to the mirror, examining the swollen purple abscess that had emerged on the left side of her neck. It hurt to touch it. In the mirror she saw that it was close to rupturing. Though this wasnât the first time she had suffered a minor affliction from intense practice, this particular grievance was new.
âI hope youâre keeping that clean,â Julian said when he arrived.
âItâs disgusting,â Remy said, still peering into the glass.
âStop touching it! Put a hot compress on it tonight. You canât afford an infection right now.â
âTell me about it.â Both her senior recital and the audition with Conrad Lesser were only days away. Plus her parents would be here for graduation and to help her move. The boil on her neck seemed ominous.
As she played the Brahms for Julian, the music sounded limp, not artful at all, her rubato mechanical, her marcato too heavy, as if she were mimicking rather than playing. When she could no longer stand it, she simply stopped and looked to Julian desperately.
âYouâve practiced too much,â he said matter-of-factly. âWell, not too much, but in the wrong way. Itâs become rote. Thatâs whatâs happening.â
Remy felt her panic rising. âWhat can I do?â She whispered, so as not to cry. âI need to play it next week. Should I just not play it until then?â
âTaking a day off wonât hurt you. The work youâve done will still be there inside of you.â He thought for a moment. âHere. Let me see that.â Julian took the score from the music stand and began going through it with a pencil, marking it here and there.
âWhat are you doing?â Remy asked, even more panicked.
âIâm changing some of the fingerings. To keep you on your toes.â
âBut I canât change the fingerings now! Itâs too late, Iââ
âWhy not just try it, Remy? Iâm trying to make it less familiar to you.â
âBut you already changed the fingerings in the Bach. I worked hard to figure out the most comfortable fingeringsââ
âAnd now youâre too comfortable,â Julian said.
âMaybe Iâm just tired. Anyway, Iâm just in rehearsal mode. When it comes time to actuallyââ
âRehearsal mode! Remy, please. What have I told you for four years now?â
âThat each time we play a piece is an event.â
Julian nodded. âEven a rehearsal is a performance, Remy.â
âI know that. Iââ
âDonât ever let yourself slouch, just because thereâs no audience. The body remembers. The music remembers. Today Iâm your audienceâeven this room is your audience. The rehearsal is the performance.â
Remy felt suddenly exhausted. âPlease donât change the fingerings.â She began, silently, to cry.
It wasnât the first time she had cried, in frustration, in front of Julian. He wasnât one of those teachers who forbade any show of mental weakness. Even now he just reached out and put his palm behind her head, gave her curls a brief rub. âI still remember the first time you played for us. You were this timid young thing with big brown doe-eyes. I could tell that it had been a challenge for you to get here, that you probably