The kindly ones
fair on servants to expect them to sleep in a haunted room, although I have to myself. Where else could we put her? She can’t be more frightened than I am sometimes. Then Aylmer Conyers stared at her so dreadfully with those very bright blue eyes of his. I was not at all surprised that she was nervous. I was terrified myself that he was going to begin asking her about the ghost, especially after she had made him drop the potatoes on the floor.’
    In short, Billson’s maladroitness had been judged to be no more than a kind of minor derangement to be expected from her for at least twenty-four hours after her ‘experience’, although, as I have said, listening in the first instance to the story about the ‘ghost’, my mother had been pleased, surprised even, by the calm with which Billson had spoken of the apparition.
    ‘I really thought familiarity was breeding contempt,’ said my mother. ‘I certainly hoped so, with parlourmaids so terribly hard to come by.’
    Albert’s announcement of impending marriage was scarcely taken into account. Probably Billson’s passion for him had never been accepted very seriously – as, indeed, few passions are by those not personally suffering from them. Possibly I myself knew more of it, from hints dropped by Edith, than did my mother. On top of everything, the prospective arrival of Uncle Giles had distracted attention from whatever else was happening in the house. However, even if the extent of Billson’s distress at Albert’s decision to marry had been adequately gauged – added, as it were morally speaking, to the probable effect of seeing a ghost that morning – no one could have foreseen so complete, so deplorable, a breakdown.
    ‘I thought it was the end of the world,’ my mother said.
    I do not know to what extent she intended this phrase, so far as her own amazement was concerned, to be taken literally. My mother’s transcendental beliefs were direct, yet imaginative, practical, though possessing the simplicity of complete acceptance. She may have meant to imply, no more, no less, that for a second of time she herself truly believed the Last Trump (unheard in the drawing-room) had sounded in the kitchen, instantly metamorphosing Billson into one of those figures – risen from the tomb, given up by the sea, swept in from the ends of the earth – depicted in primitive paintings of the Day of Judgment. If, indeed, my mother thought that, she must also have supposed some awful, cataclysmic division from on High just to have taken place, violently separating Sheep from Goats, depriving Billson of her raiment. No doubt my mother used only a figure of speech, but circumstances gave a certain aptness to the metaphor.
    ‘Joking apart,’ my mother used to say, ‘it was a dreadful moment.’
    There can be no doubt whatever that the scene was disturbing, terrifying, saddening, a moment that summarised, in the unclothed figure of Billson, human lack of coordination and abandonment of self-control in the face of emotional misery. Was she determined, in the habit of neurotics, to try to make things as bad for others as for herself? In that, she largely succeeded. There seemed no solution for the people in the room, no way out of the problem so violently posed by Billson in the shape of her own nude person. My father always confessed afterwards that he himself had been utterly at a loss. He could throw no light whatever on the reason why such a thing should suddenly have happened in his drawing-room, see no way of cutting short this unspeakable crisis. In telling – and re-telling – the highlights of the story, he contributed only one notable phrase.
    ‘She was stark,’ he used to say, ‘ absolutely stark.’
    This was a relatively small descriptive ornament to the really vast saga that accumulated round the incident; at the same time, it was for some reason not without a certain narrative force.
    ‘I’ve come to give notice, m’m,’ Billson said. ‘I don’t want

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