around the world. The cars would be old Mustangs or Gran Torinos or GTOs, or secondhand BMWs or Mercedes in Germany, or strange Toyota Crowns or Datsuns in the Far East, and the beer would be different brands and different strengths, and the loans would be in different currencies, and the guns would be chambered for different loads in different calibers, and the used stereo equipment would operate on different voltages, but other than that the give and take was exactly the same everywhere.
I found the spot where Janice May Chapman had been killed easily enough. Pellegrino had said she had bled out like a lake, which meant sand would have been used to soak up the spill, and I found a fresh spreading pile of it in a paved alley near the rear left-hand corner of a bar called Brannan’s. Brannan’s was about in the center of the one-sided street, and the alley in question ran along its left flank before dog-legging twice and exiting on Main Street between an old-style pharmacy and a hardware store. Maybe the hardware store was where the sand had come from. Three or four sixty-pound bags would have done the job. It was spread in a neat teardrop shape over the smooth flagstones, about three or four inches deep.
The spot was not directly overlooked. Brannan’s rear door was about fifteen feet away, and the bar had no side windows. The back of the pharmacy was a blank wall. Brannan’s neighbor was a loan office with a Western Union franchise, and its right flank had a window toward the rear, but the place would have been closed at night. No witnesses. Not that there would have been much to witness. Cutting a throat doesn’t take much time. Given a decent blade and enough weight and force, it takes as long as it takes to move your hand eight inches. That’s all.
I stepped out of the alley and walked halfway to the railroad track and stood on the beaten earth and judged the light. No point in looking for things I wouldn’t be able to see. But the moon was still high and the sky was still clear, so I kept on going and stepped over the first rail and turned left and hiked north, walking on the ties like guys used to way back, when they were leaving the land and heading to Chicago or New York. I passed over the road crossing, and I passed the old water tower.
Then the ground began to shake.
Just faintly at first, a mild constant tremor, like the edge of a distant earthquake. I stopped walking. The tie under my feet trembled. The rails either side of me started to sing. I turned around and saw a tiny pinpoint of light far in the distance. A single headlight. The midnight train, a couple of miles south of me, coming on fast.
I stood there. The rails hummed and keened. The ties hammered up and down through tiny microscopic distances. The gravel under them clicked and hopped. The ground tremors deepened to big bass shudders. The distant headlight twinkled like a star, jumping minutely left and right through hard constrained limits.
I stepped off the track and looped back to the old water tower and leaned against a tarred wooden upright. It shook against my shoulder. The ground shook under my feet. The rails howled. The train whistle blew, long and loud and forlorn in the distance. The warning bells at the roadside twenty yards away started ringing. The red lights started flashing.
The train kept on coming toward me, for a long time resolutely distant, then all of a sudden right next to me, right on top of me, huge, just insanely massive, and impossibly loud. The ground shook so hard that the old water tower next to me danced mutely in place and I was bounced up and down whole inches. Moving air whipped and battered at me. The locomotive flashed past, and then began an endless sequence of cars, hammering, juddering, strobing in the moonlight, hurtling north without pause, ten of them, twenty, fifty, a hundred. I clung to the tarred pole for a whole long minute, sixty long seconds, deafened by squealing metal, beaten numb by the
Grace Slick, Andrea Cagan