amusements covered for the winter, boarded up—the dragon’s-back high-rides, the Bobs, the Chute, the Tilt-a-Whirl, all the fun machinery put together by mechanics and electricians, men like Bujak the tool-and-die maker, good with engines. The blizzard was having it all its own way behind the gates, and you couldn’t see far inside; only a few bulbs burned behind the palings. When Woody wiped the vapor from the glass, the wire mesh of the window guards was stuffed solid at eye level with snow. Looking higher, you saw mostly the streaked wind horizontally driving from the north. In the seat ahead, two black coal heavers, both in leather Lindbergh flying helmets, sat with shovels between their legs, returning from a job. They smelled of sweat, burlap sacking, and coal. Mostly dull with black dust, they also sparkled here and there.
There weren’t many riders. People weren’t leaving the house. This was a day to sit, legs stuck out beside the stove, mummified by both the outdoor and the indoor forces. Only a fellow with an angle, like Pop, would go and buck such weather. A storm like this was out of the compass, and you kept the human scale by having a scheme to raise fifty bucks. Fifty soldiers! Real money in 1933. “That woman is crazy for you,” said Pop. “She’s just a good woman, sweet to all of us.”
“Who knows what she’s got in mind. You’re a husky kid. Not such a kid, either.”
“She’s a religious woman. She really has religion.”
“Well, your mother isn’t your only parent. She and Rebecca and Kovner aren’t going to fill you up with their ideas. I know your mother wants to wipe me out of your life. Unless I take a hand, you won’t even understand what life is. Because they don’t know—those silly Christers.”
“Yes, Pop.”
“The girls I can’t help. They’re too young. I’m sorry about them, but I can’t do anything. With you it’s different.”
He wanted me to be like himself—an American.
They were stalled in the storm, while the cattle-colored car waited to have the trolley reset in the crazy wind, which boomed, tingled, blasted. At Howard Street they would have to walk straight into it, due north. “You’ll do the talking at first,” said Pop.
Woody had the makings of a salesman, a pitchman. He was aware of this when he got to his feet in church to testify before fifty or sixty people. Even though Aunt Rebecca made it worth his while, he moved his own heart when he spoke up about his faith. But occasionally, without notice, his heart went away as he spoke religion and he couldn’t find it anywhere. In its absence, sincere behavior got him through. He had to rely for delivery on his face, his voice—on behavior. Then his eyes came closer and closer together. And in this approach of eye to eye he felt the strain of hypocrisy. The twisting of his face threatened to betray him. It took everything he had to keep looking honest. So, since he couldn’t bear the cynicism of it, he fell back on mischievousness. Mischief was where Pop came in. Pop passed straight through all those divided fields, gap after gap, and arrived at his side, bent-nosed and broad-faced. In regard to Pop, you thought of neither sincerity nor insincerity. Pop was like the man in the song: he wanted what he wanted when he wanted it. Pop was physical; Pop was digestive, circulatory, sexual. If Pop got serious, he talked to you about washing under the arms or in the crotch or of drying between your toes or of cooking supper, of baked beans and fried onions, of draw poker or of a certain horse in the fifth race at Arlington. Pop was elemental. That was why he gave such relief from religion and paradoxes, and things like that. Now, Mother thought _ she was spiritual, but Woody knew that she was kidding herself. Oh, yes, in the British accent she never gave up she was always talking to God or about Him—please God, God willing, praise God. But she was a big substantial bread-and-butter down-to-earth