Free The Mask of Troy by David Gibbins Page B

were seated on plastic chairs facing a table with a laptop computer and an old-fashioned overhead transparency projector. On the wall behind it was a screen showing the British Admiralty chart of the north-east Aegean, with their position highlighted. Jack reached the front and turned round. Costas was seated at the far left of the front row, talking with two of his submersibles technicians, but he stopped when he saw Jack and leaned forward intently. Seated directly in front of Jack was Dr Jacob Lanowski, their CGI simulations expert and all-round genius, the main reason for the briefing. Lanowski was staring expectantly at Jack through thick round glasses, nervously sweeping his long lank hair from his face, clutching a sheaf of notes and transparency sheets. Jack smiled at him, glanced at his watch and held up his hand. ‘Captain Macalister tells me we have twenty minutes before the ship is fully stabilized over the site and the docking bay is ready. Costas and I will be doing the dive, but this is a team effort and every one of you is a part of it.’
    He turned and aimed a light-pointer at Troy on the map. ‘I called this briefing mainly to let Dr Lanowski give us a run-down on the bathymetry and sedimentology. But some of you are recent arrivals and still don’t know the reason we’re here, so I want to spend a few minutes talking about that. And there’s a connection with what Dr Lanowski’s going to tell you, an incredible connection. Even I haven’t had the full picture yet.’ He beamed at Lanowski, who looked around, smiling awkwardly at the others, before dropping his sheaf of papers and scrabbling to pick them up. Jack glanced at Costas, who had raised his eyes to the ceiling. Not for the first time Jack wondered if their resident genius would last the course.
    Jack tapped a key on the laptop, bringing up an aerial photograph on the screen. It showed an archaeological excavation under way, an open area of perhaps ten by twenty metres surrounded by dense rows of tomato plants. He pointed to the sole person visible, a desultory figure wearing a huge sombrero sitting on one side of the trench, clutching a water bottle and staring at a dark patch on the otherwise featureless sand in front of him. ‘Some of you may recognize our esteemed colleague Dr Kazantzakis. His first ever experience of archaeology.’
    ‘And so nearly my last,’ Costas piped up. There was a ripple of laughter.
    ‘We’re about a kilometre north-west of Troy, fifteen years ago,’ Jack continued. ‘Our first excavation together, on a shoestring budget. Before IMU. Before Seaquest . But what we found there kick-started it all.’ He clicked again, and the screen transformed to a 3-D CGI rendition of the Dardanelles and the plain of Troy. ‘A farmer had found some charred timbers while he was ploughing. We knew the river Scamander had silted up the plain, and our excavation proved that this spot had been the beach in the late Bronze Age. Amazingly, the timbers were from ships, war galleys that had burned on the seashore. We found only a few fragments, but enough for radiocarbon analysis, which gave a date of about 1200 BC, exactly the time of the destruction of Troy. And there was more. In the picture, Costas thinks he’s looking at nothing. But he’s wrong. That dark stain proved to be an open fire pit. It was filled with butchered bones, huge joints. The entire carcass of a bull. It was a feast fit for heroes. Where Costas was sitting, Achilles had once sat. Achilles was sulking too, but over a woman.’
    ‘If only,’ Costas said.
    Everyone laughed again. Jack held up his hand. ‘I thought that discovery, that incredible connection with the past, was about as good as it gets. It was fantastically exciting. I felt like Heinrich Schliemann, on the trail of Agamemnon. And now we’re back there again. This time it’s not just charred fragments we’re after. This time it’s a full-on shipwreck. But the clue to that didn’t come