Free Still Life With Crows by Douglas Preston, Lincoln Child Page A

you, you freak.”
    “If I see any men around here I’ll let you know,” Corrie replied.
    She heard the door into the back room open and a sudden silence fell. The sheriff spoke, his voice low, calm, and full of menace.
    “Brad? Just what do you think you’re doing?”
    “Oh, hi, Dad. We were just talking to Corrie here, that’s all.”
    “Is that so?”
    “Right.”
    “Don’t bullshit me. I know exactly what you were doing.”
    There was a tense silence.
    “You harass a prisoner of mine again and I’ll book you and lock you up myself. You hear me?”
    “Yes, Dad.”
    “Now get the hell out, you and your friends. You’re late for scrimmage.”
    There was the sound of guilty shuffling as Brad and his friends left the cellblock. “You all right, Swanson?” the sheriff asked gruffly.
    Corrie ignored the question. Soon the door closed and she lay there, alone once again, listening to the sounds of the television and the voices in the outer office. She tried to keep her breathing normal, tried to forget what Brad had said. One more year and she was out of this loser town, this butt-crack capital of Kansas. One more year. Then it was goodbye, Medicine Shit Creek. It occurred to her, for the millionth time, that if she hadn’t blown it in tenth grade she’d already be out of here. And now she had done it to herself again. Well, no use thinking about that.
    The door to the outer office tinkled again. Someone new had come in. A conversation began in the outer office. Was it Tad, the deputy? Or her mother, sober for once? But no—the new arrival, whoever it was, spoke so softly that Corrie couldn’t tell if it was a man or a woman. The sheriff’s voice, on the other hand, took on a hard edge, but Corrie couldn’t make out the words over the blaring of the television set.
    Eventually, she heard footsteps enter the back room.
    “Swanson?”
    It was the sheriff. She heard him draw heavily on his cigarette and smelled the fresh smoke. There was a rattle of keys, a click as her cell was unlocked. The rusty iron door creaked as it opened.
    “You’re out of here.”
    She didn’t move. Hazen’s voice sounded particularly thick. Something had made him mad.
    “Someone just made your bail.”
    Still she didn’t move. And the other voice spoke. It was low and soft, with an unfamiliar accent.
    “Miss Swanson? You are free to leave.”
    “Who are you?” she asked without turning around. “Did Mom send you?”
    “No. I am Special Agent Pendergast of the FBI.”
    God. It was that creepy-looking man in the undertaker’s getup she’d seen walking around town.
    “I don’t need your help,” she said.
    His voice still heavy with annoyance, Hazen said to Pendergast, “Maybe you should’ve saved your money and stayed out of local law enforcement business.”
    But Corrie had grown curious despite herself. After a moment, she asked, “What’s the catch?”
    “We’ll speak about it outside,” said Pendergast.
    “So there is a catch. I can just imagine what it is, you pervert.”
    Sheriff Hazen issued a burst of laughter that degenerated into a smoker’s hack. “Pendergast, what’d I tell you?”
    Corrie remained curled on the folding bed. She wondered why this Pendergast was offering to bail her out. It was clear that Hazen didn’t particularly like Pendergast. She remembered a phrase: the enemy of your enemy is your friend. She sat up and looked around. There he was, the undertaker, arms folded, looking at her pensively. The little bulldog Hazen stood next to him, arms squared, scalp glistening under the thinning crew cut, razor rash on his face.
    “So I can just get up and walk out of here?” she asked.
    “If that’s what you want,” Pendergast replied.
    She got up, brushed past the FBI agent, past the sheriff, and headed toward the door.
    “Don’t forget your car keys,” called Hazen.
    She paused in the door, turned, held out her hand. The sheriff was standing there, dangling them in his hand. He