Winter House
quickly looked away. This was only one small slight of many.
    Nedda understood. She might never be forgiven for coming home again.
    Though Cleo and Lionel had been to town only a week ago, Nedda was amazed anew each time she saw her sister and brother, these chic people so little affected by time. In her early sixties, Cleo appeared closer in age to her forty-year-old daughter. There was not a single strand of gray in the perfectly coiffed ash blond hair, and her flesh was suspiciously smooth and firm.
    Nedda let the drape fall, then sank down to the window seat. The front door opened, and the foyer was filled with the sound of dueling accents, American diva and Spanish immigrant. The doorman was making short work of the bags, stacking them inside the door, while Cleo surveyed the front room, checking for signs of sudden death. Or would she be more concerned with possible breakage?
    Cleo turned to her sister with a vacuous smile; one might call it professional, the way a stewardess can smile at her passengers though she hates them and hopes they will die. „You look wonderful. Your color’s so much better.“
    The yellow cast had passed off months ago in the hospice, where Nedda’s siblings had expected her to pass away from natural causes.
    Fooled you all. So sorry. I never meant to.
    „But you’re still a little pale, Nedda. You really must get some sun and fresh air. We’ll have to get you out to the Hamptons one day.“
    The sisters both knew that day would never come. There would be too many questions from the Long Island neighbors. It was so much easier to hide embarrassing relatives in the more anonymous city. And now, small talk exhausted, they fell into a silence – awkward for Nedda, easy for her sister.
    When the doorman had lugged the last suitcase indoors, he learned to his dismay that he had not yet earned his money, not until he carried them up the stairs to a bedroom. He looked up at the winding steps – and up, and up, shaking his head in denial. Finally, the job was done, and her brother had returned from the garage on the next block. Lionel preened for a moment before a mirror, running one tanned hand through hair as white as her own.
    Her brother could still be called a handsome man and surprisingly youthful in the way that a waxwork can never age. So this was what sixty-nine years looked like in the twenty-first century. Nedda rarely consulted a mirror on her own account, for she was a different creature now, and no such comparison to her former self was possible. Though she had made good use of the third-floor gymnasium, the treadmill and the weights would not give her back any of the time she had lost. She was marked by the wrinkles and stitched up scars of a difficult life.
    Not so for Lionel and Cleo.
    Nedda had returned to find her siblings well preserved in the amber of younger days. Every creature so preserved was dead, and still the simile held true. There was no life in their dark blue eyes, dead eyes, flies in the amber.
    „Neddy“ was all that Lionel said to her by way of a greeting. She could see that it irked him to slip and call her Neddy, but he had never known her by any but that childhood name. In a cruel departure from a good-natured boy of eleven, Lionel the man reminded her of their father now. Quentin Winter had been a cold one, too. It had been said of Daddy, in his youth, that he left footprints of ice across the floor of a warm room on a summer day. She recalled Lionel as a child of five, following his father about in the month of July to see if this was true. In part it was.
    She turned to her sister, always searching Cleo’s face for evidence of the child she had been. Up to the age of five, young Cleo had danced through the average day, always in motion to music that had played round the clock, a laughing child, who had no bones, who moved to the beat of drums and cornets with fluid joy. Daddy’s little Boogie Woogie Wunderkind had never been able to pronounce this

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