famine exists, and therefore must have a meaning, both Marxist and divine. I think it means our revolution was not thorough enough; it left a pocket of reaction here in the Palais d'Administration, on the floor below us, in the far wing. I know you know the king still lives. What would you say to his public execution?" Michaelis Ezana shrugged. "I think it would be as an event not non-trivial. The king is already one with his ancestors." Ellellou warned, "It would horrify the world bourgeoisie, who are sentimental about monarchs. Their offers to bring us the benefits of their eight virtues might slacken, and your office would have less paper to handle." Ezana repeated his shrug, exactly. "It would sever a strand to the colonial past. He is your personal prisoner, deal with him as seems expedient." He reshuffled back into his briefcase the fanned papers-graphs, maps, computer print-outs-that again had failed to interest the President. Ellellou sat down and sipped his chocolate, which had grown cool. But no mere tepidity had subverted its taste: there was something added and subtracted, something malty, ersatz, adulterate, mild, mellow, vitaminized. Ambushed by recognition, Ellellou blurted out to Ezana the one word, "Ovaltine!" Sittina, my third wife, lived in a villa among bushes of oleander, camel's-foot, and feathery bamboo, among children she no longer even pretended were mine and half-completed paintings, weavings abandoned in mid-stripe on the loom, and shimmering gowns which needed only to be hemmed to be finished. On the harpsichord, The Well-Tempered Clavier always stood open to the same fugue. She was too variously talented to push anything through to mastery. Soot-black, slender, the huge hoops of her earrings pierced through the tops of her cup-shaped ears rather than the lobes and touching one shoulder or another as she moved her lovely small tipped-back head, she was elevated and detached in her view of me, and I found this oddly confirming. "So the Palais kitchen makes Ovaltine instead of pure Ghanaian chocolate for a change," she said. "What of it? You think you burned all the produce the Yankees are smuggling in? It's not that easy, they make tons more of junk every day. Don't worry about it, Felix. Face it, Africa is crazy about trading. Where else can you buy in the marketplace honest-to-God fingernail clippings? I mean, it's wild." She said all this glancingly, over her shoulder, in her offhand American English. The daughter of a Tutsi chief, she had been sent in a time of Hutu massacre to a small all-black college in the state of Alabama, and indeed had set several sprint records there. The turn of her calves and the length of her thighs had won my heart, in the heyday of Edumu's restored rule, when she competed in the Noire Pan-African games of 1962. Though she had ever been in our marriage elusive, like the wind she raced with, I could never consider her a bad wife. Often in the bed of another, in my virile thirties, in the carefree Sixties, the thought of her pointed tits and trim bean-shaped buttocks had given me rise. Yet the reality of her was more mixed than the thought, the inner image of her. Sittina and I had not made love for four years, though the youngest of the glossy, long-skulled children that wobbled and prattled through the room, chased by parrots and pet patas monkeys, was under two. Sittina was wearing a loose-throated long-sleeved dashiki with rainbow-dyed culottes of crushed voile; they flapped and swayed with the movements of her wonderful impatient legs. She was engaged, in one of her abortive projects, with fashion design, and her outfit, so contemporary and timeless both, so Western and African, was one of her creations. But, she explained, between bursts of attention to the needful children-each of whom cast at me, in my unadorned khaki, the glance one gives a gardener or messenger boy who has come six steps too far into the house-that it was impossible nowadays to obtain cloth or