bear to leave them behind. But, thank God, she had. Thank God, she had brought the boots and the shoes with her. The camp had been running low on the clogs they were distributing to the new prisoners, and so the guards who were processing the trainload from France had told Cecile to keep her boots and then given her crocodile shoes to the prisoner nearest her, that secretary from Troyes.
And so while she was astonished some moments that she had survived this long in these conditions--while she was surprised that anyone had--there were other times when she simply didn't believe that she was going to die here. Death was no abstraction to her: She saw it daily. But her own death? She was young and (once) beautiful, and she had lived a life of such perfect entitlement that her own death was almost completely inconceivable.
a cart with desserts. A tart. A torte. A small pot with creme brulee.
The cart was draped in white linen, and the desserts were surrounding a purple vase overflowing with lilies and edelweiss. The secretary from Troyes was beside it in her mind, reveling in the warmth of a dining room in a restaurant in Paris with her mother and father and sisters, until the wind lashed a piece of broken twig against her eye and she blinked. Instantly the vision was gone, all of it.
Still, she stood where she was as the cold rain continued to soak through her uniform and tattered sweater and fill those bizarre crocodile flats as if they were buckets. Her toes were beyond cold; they had fallen numb. When they were inside, she cherished these shoes, and she understood how much better off she was with them than with those coarse wooden clogs many of the prisoners wore. But not today. Today she was as badly off as everyone else.
Normally they toiled in a clothing factory near the camp, but this afternoon they were working outdoors. The pile of dirt before her was not yet frozen, but it had grown hard, and she decided now that she was too weak to jam the shovel into the mound one more time. She simply couldn't lift it, she could no longer bear to place her foot--so frigid that she felt spikes of pain through the sole of her shoe whenever she pressed it against the rolled shoulder of the spade--on the shovel and force it once more into the earth. Her name was Jeanne, and she feared the only person left in the world whom she trusted, Cecile, was at least fifty or sixty meters farther down the track. Too far to help her. Had she been next to her, Jeanne imagined that Cecile would say something--find the right words or the right tone--to give her the strength to help dig out these buried railroad ties for another half hour. Or, if there were no words left (at least ones that could possibly matter), to be with her when she expired.
Because, Jeanne concluded, she was going to expire. Right here, right now. With her back to this damaged railway station, a low building with gray stucco walls and a roof--largely collapsed--of blue slate that looked almost like ocean water. She was going to die right beside this angry, quiet, determined prisoner whose name she didn't know and whose teeth were dropping from her mouth as if they were acorns in autumn. It was a certainty. Every moment she wasn't digging was a moment the guards might see her not working. And then they would prod her to dig more, and--when she couldn't--they would shoot her. They shot girls in the fields all the time in the summer and on the way back from the clothing works in the early days of autumn; she'd witnessed at least a dozen and a half die this way. Why not shoot one more here by the station, where last night Allied bombs had buried the track beneath small mountains of earth? Other prisoners would then dig her grave, which couldn't be any more difficult than trying to do the work of a bulldozer to excavate a patch of railway. And Jeanne didn't want to make work any harder for anyone. And so, she thought, let it all end here. Right here. Fine. It had been too much to
Gillian Doyle, Susan Leslie Liepitz