The Counterfeit Madam

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dead, bade me bring word here and then go for the layer-out. Will you wish to see her afore she’s washed and made decent, mem?’
    ‘N-no,’ said Lady Magdalen doubtfully. ‘No, I’d sooner wait till she’s in her dignity. Send my condolences to Maister Livingstone on the death of his kinswoman, Attie, and say I’ll come down afore suppertime.’ She seemed even paler than usual; Gil, suddenly recalling her condition, and certain her husband would never think of doing so, reached for the ale-jug and filled her beaker.
    ‘You should drink a little,’ he said. ‘You’ll feel steadier.’
    ‘Aye.’ She took the beaker from him. ‘My thanks, maister. Attie, will you go down to the kitchen, tell them the news, bid them see you right. I – I—’ She put her other hand to her head, and smiled weakly. ‘I canny believe it. She’s aye been so robust, I’d ha thought she’d go on for ever.’
    ‘Do you need to lie down?’ said Sempill, belatedly recognizing her distress. ‘Attie, send her woman up to her! And you’ll have to leave,’ he added to Gil. ‘We canny be looking at all this stuff the now.’
    ‘I’ve questions yet,’ Gil said mildly, reaching for the nearer rent-roll as the man Attie bowed and retreated to the kitchen door. ‘See your wife right, man, and then we’ll talk.’
     
    The craftsmen of Clerk’s Land were hard at work, to judge by the hammering sounds from the several houses. Armed with the details from the rent-roll and Sempill’s sour comments on each tenant, Gil made his way along the muddy path, identifying the buildings and their occupants, making a note of necessary repairs and at the same time turning over in his mind the likely effects of Dame Isabella’s death on her various schemes. It seemed hard to believe, given the old woman’s forceful presence in Maistre Pierre’s house and then in Canon Cunningham’s only the day before, but sudden death could take anybody. He knew Canon Aiken’s house where the Livingstones were lodged, further down the Drygate; he could call on them later to condole, if that was the right word in the circumstances.
    The children he had heard yesterday were wailing again inside the house nearest the road, though a man’s voice shouted at them from time to time. ‘That’s Adkin Saunders, pewterer,’ Sempill had said, ‘an ill-mannered dyvour, and his wife’s a great Ersche bairdie wi no respect for her betters. They pay their rent, but,’ he had added with reluctance. The pewterer was seated by the window, intent on shaping some vessel over a mould, his hammer tapping busily, though he cast a sideways glance at the intruder. Further down the toft two women were talking shrilly in Ersche; presumably one of them was the man’s wife. What had she said to Sempill, Gil wondered.
    ‘There’s Danny Bell, that’s a lorimer, he doesny dwell on the toft but come in to his workshop by the day. Has a dog as ill favoured as himsel, but at least he’s taught it to do his bidding.’ That was complimentary, by Sempill’s low standards; the man was a stringent judge of dogs. ‘And Dod Muir, that’s an image-maker, works in wood and metal and all sorts, wee hurb of a niffnaff. Both of them pays their rent right enough and all.’
    At least, he reflected, peering into a low ramshackle shed and finding an assortment of barrels and a stock of small pieces of wood, at least Dame Isabella did not seem to have died by violence. This must be the image-maker’s woodstore, and yonder was certainly the lorimer’s workshop, with the scraps of leather round the door and pieces of horse-harness hung in the window; the lorimer himself, a young man with startling red hair, was visible at his bench working with leather-punch and hammer. His dog, a small shaggy creature with sharp ears, lay in the doorway and watched Gil suspiciously.
    Two of the children from the pewterer’s house ran past him as he moved on, heads down as if fearing pursuit. He hoped they

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