According to Their Deeds
perhaps.”
    “Revolution. I said it made for good literature.”
    “You don’t like revolutions, Derek.”
    “All right. I admit they have their uses. But they’re uncontrollable once they’re started and they create terrible vacuums. It took Europe nearly twenty years to rid itself of Napoleon. It’s all about power, Charles. However it starts—even whatever ‘it’ is—it always ends in the hands of the ruthless and powerful.”
    “Not always.”
    “You’re referring to George Washington? He’s underrated. He understood power, and it did end up in his hands.”
    “For the good of the country.”
    “Remarkably. But, Charles, he is an example. He had great power, founded on his prestige and success, and used it to good.”
    “And then gave it up.”
    “When he had accomplished his purpose. I appreciate his example. Rule by power is necessary and it could be used to good purpose even today.”
    “Are you a monarchist, Derek?”
    “I guess we can’t go that far. But within my own small sphere, it is an example I find very useful.”

THURSDAY
    MORNING
    “Mr. Beale?”
    “Good morning, Morgan.”
    “Good morning, sir.” His red hair was really too bright to be growing in a place so hidden from the sun. “I have an answer back from the person on eBay selling the Odyssey .”
    “Yes, the hypothetical autographed first edition. What does he say?”
    “He is moving and getting rid of stuff, and it was in a box.”
    “So he found Attica in his attic. Does he know where the box came from?”
    “It was his grandfather’s, who got it from an aunt in England as a present in the nineteen twenties, and she bought it for him at a bookstore.”
    “That’s more than we usually get.”
    “There’s a handwritten inscription to his grandfather inside the cover.”
    “Oh. Oh, dear. That’s too bad. What about the title page?”
    “Here’s a picture he took of it.”
    Charles put his nose right up to the screen. “Hmm.”
    “Does that tell you anything?”
    “It’s not a proper title page.”
    “What is it?” Morgan asked.
    Charles shrugged. “Some kind of half title page. It does have the title: Homer’s Odyssey; Translated by Alexander Pope. But there’s no publisher or city or date. Why does he say it’s a first edition?”
    “ ‘I believe it is a first edition because it is so old, and because the author signed it.’ End quote.”
    “Of course.”
    “This picture is the inside front cover, with the inscription to his grandfather and the author signature.”
    “That?” A very faded smudge crawled along the top of the paper.
    “I can make out sort of an A and sort of a P ,” Morgan said.
    “I’m sure the book is nineteenth century, so Pope would have been dead a hundred years or so.”
    “Maybe that’s why his signature is so shaky.”
    “Mine would be, too. Well, obviously it’s not a first edition of anything. It’s some other printing. Get the picture of the cover again.”
    Morgan quickly did so.
    “But it’s still interesting,” Charles said. “I haven’t seen anything just like that. It looks like very nice leather. How much longer on the auction?”
    “Four and a half days. Until Monday afternoon.”
    “And where is the bidding?”
    “Four hundred.”
    “Yes. The dealers all know it’s not specifically valuable, and they’re waiting.”
    “What is it worth if it isn’t specifically valuable?”
    “Three or four hundred, up to maybe fifteen if it’s sort of specific. But it all depends. I’d have to actually see the book.”
    “You could fly to Denver. He wouldn’t mail it here while it’s under auction.”
    Charles stared at the book on the screen. “Morgan, I’m on an odyssey of my own at the moment. So I think I’ll take a chance.”
    “Yes, sir. How much of a chance?”
    “Fifteen hundred. I’m young and idealistic. Or foolish, I don’t remember which. Make it two thousand.”
    “Yes, sir.”
    Charles watched the fingers flit. “It all still

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