Free Faces of Fear by John Saul

it, Michael."
    "I have no doubt," he said, then watched her walk across the porch and down to her car, parked next to a fire hydrant in front of the house.
    He knew that if there was another body out there, Tina would find it, even if she had to make it herself.
    He closed the door and went to find Scott.
    They had a leisurely Saturday morning to resume.

6
    ALISON HAD NO IDEA HOW MANY TIMES SHE MUST HAVE PASSED THE old mission-style church at the corner of Bedford and Santa Monica Boulevard, but as her mother searched for a parking spot, she found herself looking at it as if for the first time. Gazing up at the twin towers that flanked the main sanctuary, and the three crosses that surmounted the entire structure, she wished she weren't coming here for a funeral. The whole idea of someone's body lying in a coffin for everyone to stare at made her skin crawl, and for a moment she wished she'd found a way to beg off. But when she saw two familiar faces in the crowd moving up the steps and through the doors—two faces she'd seen just last week in a movie—her misgivings vanished.
    By the time they got inside the church itself, it was almost overflowing, not only with people, but with more flowers than Alison would have thought the place could hold. Perfect arrangements filled tier after tier behind the altar, and were banked around the casket as well, and whoever had arranged them had managed to combine the rainbow of colors into gentle waves that seemed to cradle the coffin and the beautiful woman who lay inside it, her head resting on a satin pillow that raised her face high enough to be clearly visible even from the back of the church.
    Even though they were half an hour early for the service, the only space they could find was on a pew way in the back. As she waited for the service to begin, Alison scanned the congregation, searching for more familiar faces. And just as her mother had promised, they were everywhere, some of them so close that she could have reached out and touched them.
    Finally the service began, and as the music swelled, Alison tried to prepare herself for a long, dull hour or two. But it didn't happen. Instead, two people talked about Margot Dunn for no more than ten minutes each, the priest recited a mass for the dead, and then a woman who looked vaguely familiar sang, "You Are So Beautiful." When the priest finished the final prayer, a classical guitarist began to play softly, and everyone stood up. But instead of leaving the church, Alison followed her mother and Lexie Montrose down the aisle to file past the coffin in which Margot Dunn lay, her beauty on display for the last time.
    "I heard that Danielle DeLorian herself did Margot's makeup," Lexie whispered to Alison as they slowly made their way toward the front of the church. Alison stared at Lexie. How was that possible? The head of DeLorian cosmetics herself? Doing a dead person's makeup? Alison shuddered, just imagining someone putting makeup on a corpse. Yet when she finally reached the casket and got a clear view of Margot Dunn's face, she could barely believe what she was seeing. The woman looked as if she had merely fallen asleep on her white satin pillow while reading or watching television in bed.
    Everything about Margot Dunn's face was flawless, and appeared so lifelike that for a moment Alison couldn't believe she was dead at all. She found herself looking for a flutter of eyelashes, for the rise and fall of the woman's chest as she took a breath.
    But there was nothing. No movement at all.
    Yet the face was perfect. There was no mark, no scar, not even any discoloration—no evidence that she had fallen onto the rocks last week, or that a propeller had gouged chunks of flesh from her right cheek a year ago. It was as if they were about to bury someone who was still alive, and Alison stood rooted to the spot until she felt a tug from her mother to move along.
    For the five minutes it took to walk the four blocks to the reception at