uneven sidewalk
tries to trip me. The step
sags beneath my weight.
I don’t
want to see what’s
beyond the door, but
it opens at the bell. I
need it to
be nice inside.
I need something
solid to
hold on to.
CAN’T SAY IT’S “NICE” INSIDE
But it isn’t horrible. My nose
says so. It smells of cinnamon
apple room freshener—fake
but not bad. You couldn’t call
the place neat, but it isn’t dirty.
Everything shrieks “seventies.”
Red/purple shag carpet. Thick
velour drapes. Linoleum in
the hall (and, no doubt, kitchen
and bathrooms). Dated. Used.
I notice all this without stepping
foot through the door. Too many
people in the way right now.
Ms. Shreeveport has to work
her way past a short, too-perky
blonde and a bear-sized, bear-
colored man. Brown hair.
Brown skin. Brooding brown
eyes. George Clooney,
he ain’t. Wonder who he is.
FINALLY, I’M IN
Introductions are passed round.
Blonde, with a loopy smile.
Hi, Summer, I’m Tanya.
Bear remains quiet, so Shreeveport
says, And this is Mr. Clooney.
Bear finally opens his curtain
of silence, corrects, Call me Walter.
I stand in wordless defiance.
Bear asks Shreeveport, She’s
not, like, a mute, right?
I am so loving him already.
Shreeveport says, Of course
not. Say something, Summer.
I use sign language: “Hi.”
Blonde (Tanya) takes the high road,
giggles. Ha. Hi to you, too.
Shreeveport does not find it
funny. Please don’t be difficult.
Bear (Walter) asserts control.
No such thing as difficult here.
I push back with a silent “Bet me.”
Tanya ignores my defiant look.
Come meet the other girls.
I shrug, start to follow her.
Shreeveport doesn’t quite drop
it. Cooperation is important.
I grab my bag, turn shadow.
Walter goes all syrupy.
There’s a good little girl.
I try not to notice the way my skin crawls.
I NOTICE THE WALLS
Are eerily bare. No photos. No
paintings. No cheap ceramics.
Apparently Tanya isn’t much into
the Martha Stewart school of
homey decor. Fine by me.
Even the Christmas tree, leaning
into one corner of the living
room, is noticeably bare.
I can’t not ask, “What, did
someone steal the ornaments?”
Tanya giggles (and I’m starting
the hate the grate of her laugh).
Oh, no. I’ve just been so busy
we haven’t put them up yet.
Maybe we’ll do that tonight.
Sorry I brought it up. The last
thing I want to do is hang gaudy
crap on a fake evergreen and
pretend like I’m part of a fake
family. Fake. Fake. Fake.
I pad along the fuchsia shag,
thinking about the tatters
of my real family. Dad in jail.
Kortni, happy not to have me
there. Mom. Mom. Where is she?
A RIPTIDE OF SADNESS
Pulls at me, but I will not cry.
Must not show weakness as
I meet my new fake sisters.
This is your room , Tanya says.
It is not much bigger than a closet.
Take that bed over there.
She points to a small twin under
the window. The matching bed against
the wall is currently unoccupied.
Tanya gestures toward it. You’ll
bunk with Simone. Not sure …
Simone? she calls. Come meet Summer.
A door (bathroom?) opens
somewhere and a wraith—
pale as death—appears suddenly,
followed by two darker-skinned
girls, probably sisters. Real sisters,
part of my new fake family.
Good, you’re all here , says Tanya.
Summer, this is Simone, Eliana ,
and Rosa. Get acquainted.
SHE GOES TO SAY GOOD-BYE
To Shreeveport. I maintain silence,
cross the room in three steps, claim my bed.
I guess I should unpack my clothes.
Having been on both sides of the “get
to know your new foster sister” dynamic,
I choose the respectful route and turn
to Simone. “Are there empty drawers?”
All three girls drill me with their eyes,
and the air, hanging thick with unasked
questions, prods my temper. “What?”
Nothing , says Ghost-girl. Simone.
Lainie had the right side of the dresser.
Her voice is wimpy, and I’m not surprised.
She sounds like she looks—washed out.
I suspect the answer, but ask anyway, if