Free Petals from the Sky by Mingmei Yip Page B

are not centered, even living in the remotest mountain is like living in a prison. She tapped her heart. Our home is where our hearts settle, and as monks and nuns, our hearts settle anywhere. Whether Hong Kong, the United States, China, even in prison, that shouldn’t make any difference.
    If there was no difference, why then did she want me to enter her temple to become a nun?
    Michael’s voice broke in on my thoughts. “Amazing that I find Hong Kong so beautiful, since I mainly like simple things…I mean simple, yet beautiful things, like Chinese art.” He paused for a second, then said, “Meng Ning, you have a Ph.D. in Asian art history from the Sorbonne?”
    “Yes and no. I still need to go back to Paris for my oral defense.”
    “I love Chinese art.”
    “You do?” I studied Michael’s green eyes and high nose.
    Just then the waiter arrived with our Perrier. When he’d poured our drinks and left, Michael raised his glass to touch mine with a crisp clink!
    “Cheers, Meng Ning. To our having met.”
    “Cheers,” I echoed, feeling a little breathless.
    Between sips, I explained how I’d learned to appreciate Zen art from my nun friend Yi Kong, also a collector. Michael said he liked Song and Yuan dynasty art for its simplicity and elegance, but disliked ornate Qing dynasty art because it was created to show off rather than to give private pleasure.
    “It doesn’t inspire the same feelings of solitude and meditation.” He looked into my eyes. “Things might not last forever, but affections can, and that’s what we cherish in life.”
    I felt both stirred and uneasy. “Sometimes,” I said, avoiding his gaze, “I do like busy art, though.”
    Michael ignored my remark. He leaned forward to gaze at me, a smile blossoming on his face. “Meng Ning, I like to forget my troubles with beautiful things. Chinese art does that for me.”
    I turned raw and tender inside. Few Chinese can understand the subtlety, deep vision, and the deceptive plainness of Chinese art, let alone Americans.
    He went on. “I like its sense of nature. It’s still hard for me to understand why something so simple can be so beautiful…and so comforting.”
    “Because when feelings are too fully expressed,” I said, being very careful to sound casual and not to look at him directly, “no room is left for the unknown and the mysterious.”
    Right then the waiter came back with our dinners. After he’d served us and left, Michael watched me start to eat before he dug his fork into his spaghetti. The pasta tasted much better than I’d expected. The cooking and seasoning were just right, and the slight bite of the parmesan cheese was pleasing.
    “Michael”—I watched him twirl long strands of pasta around his fork—“how long have you been interested in Chinese art?”
    Michael finished chewing the noodles, then put down his fork and dabbed his mouth with the napkin. “Since medical school. One day I received a package in the mail and opened it, not realizing it was for someone else. Inside I found a book on Chinese painting; I glanced through it, not paying much attention at first. Then I became captivated. Those paintings had the kind of beauty I’d been looking for my entire life.
    “It’s the sense of tranquility—the way a whole landscape is built up from simple brushstrokes. Opening that package changed my life. I believe what happens is the result of karma. The package was addressed to a Professor Michael Fulton in the Fine Arts department. I received it by mistake. Fulton, Fuller—a simple mix-up that awakened me to Chinese culture and led me to become a Buddhist.
    “Later, I took the book to Professor Fulton’s office and ended up spending more than an hour discussing paintings with him. The next year I managed to sneak away from some of my medical school lectures to attend his class on Chinese art. He’s now one of my best friends. His collection of Chinese art is small, but all are masterpieces. He jokes