return phone calls but sent plenty of e-mails and never, ever missed a deadline. He didnât like to talk to people if he could avoid it. There was no point. He just didnât have that much to say. He couldnât relate. To be honest, there was very little that couldnât be expressed in an e-mail.
He was good at his job, and people recognized his talents. In a few short years, he had developed a wonderful niche that made him money and allowed him to revel in art. He typeset museum catalogs. He had started small and worked his way in through a side job designing museum Web sites. Once he was established, he did exhibition catalogs and permanent collection catalogs from all over the country. A couple of years ago, heâd gotten big enough to branch into catalogue raisonnés , the monographs detailing the lifeâs work of a particular artist. Heâd done a lovely job with a Picasso monograph last year, and was bidding to do several more.
That reminded him, he needed to look at the status for the Millais. He scanned his e-mail, but there was nothing from the Tate Britain Gallery in London. Damn. John Everett Millais was one of his favorites, he wanted to win that job.
Nothing to worry about. His current job for Wilhelmina was a dream come true. At the moment, the Frist Center had arranged for a once-in-a-lifetime exhibit. A number of paintings from one of the art capitals of the world, Florence, Italy, were going to come to Nashville, and Gavin had been hired to do the catalogs. Which meantoodles of stunningly beautiful pictures from three of the most famous art galleries in the world, the Uffizi Gallery, the Pitti Palace and the Strozzi.
He forced his attention back to the Strozzi pictures, and started in. It didnât take long to see that one of the photographs hadnât downloaded properly. Gavin felt it was divine intervention. He could send an e-mail to Wilhelmina, ask her to contact the photographer and ask for him to resend the shot. Orâ¦Gavin felt his heart beat just a bit harder. Why not? Heâd always been an admirer of Tommaso, there was no reason why he couldnât contact him directly. Was there? Granted, the man was exceedingly privateâto the point where he refused any interview that wanted a photograph of him. Gavin wondered if he were disfigured in some way. He could understand the desire to let your work speak for you.
Never one to make a move without thinking it through thoroughly first, Gavin sat back in his chair. If he contacted Tommaso, there would be the slightest chance of mentioning his own work. It might open a few more doors; God knew the Italian worked everywhere. Tommasoâs reputation was well-known all over the world. It might give Gavin a chance to explore past Nashville. They could become friends.
He came back down to earth with a sigh. Like that would ever happen. His friends were all dungeon masters.
But before he lost his nerve, he filled out the contact information on the e-mail and sent a quick note to Tommasoâs address.
Dear Tommaso,
Iâm a great admirer of your work.
The catalog photographs from the Strozzi collection are utterly superb. Unfortunately, JPEG 10334 did not come through properly. Would you please resend the original shot?
Thank you so much.
G. Adler
Gavin hit send and sat back, breathing deeply. Should he have said Ciao? Or would that have been stupid? What had come over him? Was it too late? Could he undo the e-mail? What was he thinking?
He ran his hands across his scalp, vaguely noting that his hair was growing back. Heâd have to shave again soon. No, there was nothing to be done about the e-mail now. As his mother always said, âDonât do something you might regret, Gavin.â He didnât really regret it. Chances were someone as big as Tommaso had an assistant who looked at the e-mail, and the message hadnât come from him directly, anyway.
He forced the action from his mind, vowing