manuscript and that it needed âa shitload of workâ but reassured me, âItâll be great, and you can do it. Totally.â
I kept waiting for him to grab the envelope and hand me contracts to sign, because Iâd read thatâs what agents did with new authors. But this didnât happen, and I began to wonder, so did all this mean he was my agent now? Or was I supposed to revise the manuscript, and then he would decide whether or not I was good enough?
I pushed my plate back and reached for my Diet Coke, which I sipped through a straw. I glanced at him, and he was already looking at me, smiling like he loved me. This made me look away from him and into the glass, where I stared at the ice. If he decided not to be my agent, I decided not to be a writer. I wanted this one, with the body of a wrestler and mustard stains on his shirt.
I found it both incredibly easy and incredibly difficult to sit next to him. I was funny around him; he brought that out. But I felt weirdly intimidated, too. If he wasnât going to be my agent, I wasnât fully confident I could even snag him as a boyfriend, either. Now that weâd had lunch, I was thinking he was out of my league, even with mustard stains.
He seemed so at home in the world, so comfortable and easygoing. He told me heâd been raised in Dayton, Ohio, but he seemed more like a California surfer dude to me. Plus, Iâd never really been attracted to blond guys before, since I was blond myself. But he was a different kind of blond guy, a more durable variety, with the coarse arm hair of a Middle Eastern terrorist, which was exactly my type.
When he wasnât chewing and didnât have his mouth wide open in hysterical fits of laughter, I could see that he was actually extremely handsome. He did look like a corn-fed Ohio guy, now that I thought about him. He had symmetrical features, like a blond Tom Cruise. Once I saw this, I couldnât un-see it, and I also realized there was no way heâd date me. So by the end of lunch, when he still hadnât handed over whatever was inside that envelope and as we shook hands in parting, I felt a crush of despair.
Iâd lost both an agent and a boyfriend at the same lunch.
Exactly like with an actual date, I kept going over it in my mind until I could no longer make any sense of even the simplest gesture. I was completely confused. Was it a good meeting or a bad one? Had he agreed to take me on as a writer or was I supposed to make those revisions first? And what were those revisions again? I hadnât taken notes.
When I got back to my apartment on Third Avenue and Tenth Street, I decided to send him an e-mail, thanking him for lunch and then adding, âBy the way, are you my agent now?â at the very end.
Instead of writing me back, he called me two minutes after I hit Send. The first thing he said after laughing was, âOf course Iâm your agent. Iâm sorry. I thought I made that clear.â
I told him Iâd seen the envelope and kept expecting him to open it and hand me contracts to sign, a literary agency agreement.
He howled as if Iâd just told the most side-splittingly funny joke. âOh my God, Iâm sorry. That was just something to read in case I had to wait. I canât believe you thoughtââ Then he set off on another bender of laughter. âThis is an old âhandshakeâ kind of agency, but I will messenger you a contract. Yeah, youâre my client, and Iâm your agent, and weâre gonna sell your book. Totally.â
Totally . I hadnât used that word since the eighties.
As promised, he messengered the contract, and I spent at least twenty minutes holding it up to the light to admire the printed text, the texture of the fine linen paper, the logo at the top under which was printed âLiterary Rights Management.â
How was this even possible? If I had an agent, that meant I had to be an actual, real