‘I put the first of them in your drawer – after shooting old West with it – What are you looking at over my head? That door? It’s no use, even if Claire was to open it – and she might to you – I’d shoot you before you got there. Not in the heart – not to kill, just wing you, so that you couldn’t get away. I’m a jolly good shot, you know. I saved your life once. More fool I. No, no, I want you hanged – yes, hanged. It isn’t you I want the knife for. It’s Claire – pretty Claire, so white and soft. Old West knew. That’s what he was here for tonight, to see if I was mad or not. He wanted to shut me up – so that I shouldn’t get Claire with the knife. I was very cunning. I took his latchkey and yours too. I slipped away from the dance as soon as I got there. I saw you come out from his house, and I went in. I shot him and came away at once. Then I went to your place and left the revolver. I was at the Grafton Galleries again almost as soon as you were, and I put the latchkey back in your coat pocket when I was saying good night to you. I don’t mind telling you all this. There’s no one else to hear, and when you’re being hanged I’d like you to know I did it . . . God, how it makes me laugh! What are you thinking of? What the devil are you looking at?’
‘I’m thinking of some words you quoted just now. You’d have done better, Trent, not to come home.’
‘What do you mean?’
‘Look behind you!’ Trent spun round. In the doorway of the communicating room stood Claire – and Inspector Verall . . .
Trent was quick. The revolver spoke just once – and found its mark. He fell forward across the table. The inspector sprang to his side, as Dermot stared at Claire in a dream. Thoughts flashed through his brain disjointedly. His uncle – their quarrel – the colossal misunderstanding – the divorce laws of England which would never free Claire from an insane husband – ‘we must all pity her’ – the plot between her and Sir Alington which the cunning of Trent had seen through – her cry to him, ‘Ugly – ugly – ugly!’ Yes, but now –
The inspector straightened up again.
‘Dead,’ he said vexedly.
‘Yes,’ Dermot heard himself saying, ‘he was always a good shot . . .’
Chapter 5
The Mystery of the Blue Jar
‘The Mystery of the Blue Jar’ was first published in Grand Magazine, July 1924.
Jack Hartington surveyed his topped drive ruefully. Standing by the ball, he looked back to the tee, measuring the distance. His face was eloquent of the disgusted contempt which he felt. With a sigh he drew out his iron, executed two vicious swings with it, annihilating in turn a dandelion and a tuft of grass, and then addressed himself firmly to the ball.
It is hard when you are twenty-four years of age, and your one ambition in life is to reduce your handicap at golf, to be forced to give time and attention to the problem of earning your living. Five and a half days out of the seven saw Jack imprisoned in a kind of mahogany tomb in the city. Saturday afternoon and Sunday were religiously devoted to the real business of life, and in an excess of zeal he had taken rooms at the small hotel near Stourton Heath links, and rose daily at the hour of six a.m. to get in an hour’s practice before catching the 8.46 to town.
The only disadvantage to the plan was that he seemed constitutionally unable to hit anything at that hour in the morning. A foozled iron succeeded a muffed drive. His mashie shots ran merrily along the ground, and four putts seemed to be the minimum on any green.
Jack sighed, grasped his iron firmly and repeated to himself the magic words, ‘Left arm right through, and don’t look up.’
He swung back – and then stopped, petrified, as a shrill cry rent the silence of the summer’s morning.
‘Murder,’ it called. ‘Help! Murder!’
It was a woman’s voice, and it died away at the end into a sort of gurgling sigh.
Jack flung down his club and ran
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain