proclaimed “Castle House, Department of Refugee Affairs, Ministry for Immigration and Registration of Persons—Renovated in 2009 by the Government of Kenya with funding from the United Nations.” “They never let us forget where the money comes from,” Wilfred said.
The building’s interior was disappointingly conventional, concrete floors and white-painted walls. Wilfred led Wells down a corridor lined with posters from the International Organization for Migration and knocked on an unmarked door. “Come,” a woman said. Inside, a comfortable office. Satellite photographs of refugee camps hung from the walls. A heavyset forty-something woman sat at her desk, typing an email. Behind her a window looked out on a lushly planted garden.
“Wilfred.
Jambo.
” One of the few Swahili words that Wells knew. Literally, it meant “Problems?” but was used in the sense of “Hey, how are you?”
“Sijambo.”
The usual response, meaning “No problems.”
She finished typing, gave Wells a broad smile. “And you?
Jambo?”
“Sijambo.
I’m John. Nice to meet you.”
“I’m Christina. Please, sit.” Wells waited on the couch as Wilfred and Christina had a heated conversation. Wells hadn’t felt so linguistically helpless in years. He hated needing translators, treasured his hard-earned proficiency in Arabic and Pashtun. Knowing those languages had saved his life more than once. Unfortunately, Swahili wasn’t all that common in the North-West Frontier.
Finally, Christina took Wilfred’s arm and pointed at the door.
“How much does she want?” Wells said.
“She didn’t name a price. She says she wants to help you, she likes you, but—”
“Go,” Christina said to Wilfred in English.
“I’ll be outside.” Wilfred left.
Christina came over, sat beside Wells. She had dark skin and wore a long green dress that clung to her breasts and hips. She was big all around. Pretty. “So you want to visit our refugees. Most tourists prefer a safari.”
“I’m looking for the aid workers.”
“Are you sure you’re not a reporter?”
“I barely know how to read.”
She grinned, touched his cheek with a long purple fingernail. “What are you, then? A soldier?”
“Used to be.”
“And now?”
“You’ve seen guys like me before. We’re all over the place.”
“Not exactly like you, mzungu.”
He couldn’t tell if she was serious or playing, hoping to annoy him. “Is that a compliment or an insult?”
“Your eyes are dying.”
No wonder Wilfred had said she was strange. “Now that’s definitely an insult.”
“What about me?” She leaned toward Wells.
He looked at her, really looked. “Your eyes aren’t dying.” It was true. They were big and black and glimmered with life.
Outside the windows, a cat meowed. “That’s Njenga.”
“What are her eyes like?”
“Are you joking, mzungu?”
Wells reminded himself that this woman, strange or not, was probably his last chance to get to Dadaab legitimately. “Do you like working with the refugees?”
“I’ve never been to Dadaab and I hope I never go. Tell me, why do you care so much about these aid workers?”
“My son knows them. Asked me to help find them.”
“And you came all the way from the United States. For them or your son?”
“Both.”
“You must be a very good father.”
She rested a warm hand on his arm and squeezed. Like she was a movie producer and Wells an aspiring actress.
There’s some nude scenes in this film. Just need to know you’re okay with that. Mind taking off your top?
Fine. He’d play. He put his hand on top of hers. “I’m a terrible father. I missed my son’s whole life.”
“Are you a terrible husband, too?”
“I’m not married. But I have a girlfriend back home. Named Anne.”
“I don’t want to hear about her.” She touched his chin, turned him toward her, leaned in. Her breast touched his arm. Her skin smelled sweet and buttery. Despite the insanity of the moment, he
Charlaine Harris, Patricia Briggs, Jim Butcher, Karen Chance, P. N. Elrod, Rachel Caine, Faith Hunter, Caitlin Kittredge, Jenna Maclane, Jennifer van Dyck, Christian Rummel, Gayle Hendrix, Dina Pearlman, Marc Vietor, Therese Plummer, Karen Chapman