Free Dead Witch Walking by Kim Harrison Page B

human who could afford it moved deep into the cities. The psychologists of the day had called it a “nesting syndrome,” and in hindsight the countrywide phenomenon was understandable. Inderlanders were more than eager to snap up the properties on the outskirts, lured by the prospect of a little more earth to call their own, not to mention the drastically falling home prices.
    The population demographics have only recently started to even out, as well-to-do Inderlanders move back into the city and the less fortunate, more informed humans decide they would rather live in a nice Inderland neighborhood than a trashy human one. Generally, though, apart from a small section around the university, humans lived in Cincinnati and Inderlanders lived across the river in the Hollows. We don’t care that most humans shun our neighborhoods like pre-Turn ghettoes.
    The Hollows have become a bastion of Inderland life, comfortable and casual on the surface, with its potential problems carefully hidden. Most humans are surprised at how normal the Hollows appear, which, when you stop to think about it, makes sense. Our history is that of humanity’s. We didn’t just drop out of the sky in ’66; we emigrated in through Ellis Island. We fought in the Civil War, World War One, and World War Two—some of us in all three. We suffered in the Depression, and we waited like everyone else to find out who shot JR.
    But dangerous differences exist, and any Inderlander over the age of fifty spent the earliest part of his or her life disguising them, a tradition that holds true even to this day.
    The homes are modest, painted white, yellow, and occasionally pink. There are no haunted houses except for Loveland Castle in October, when they turn it into the baddest haunted house on either side of the river. There are swing sets, aboveground pools, bikes on the lawns, and cars parked on the curb. It takes a sharp eye to notice that the flowers are arranged in antiblack magic hexes and the basement windows are often cemented over. The savage, dangerous reality blooms only in the depths of the city, where people gather and emotions run rampant: amusement parks, dance clubs, bars, churches. Never our homes.
    And it’s quiet—even at night when all its denizens are up. It was always the stillness that a human noticed first, setting them on edge and sending their instincts into full swing.
    I found my tension easing as I stared out the window and counted the black, light-proof blinds. The quiet of the neighborhood seemed to soak into the bus. Even the few people riding had grown still. There was just something about the Hollows that said “Home.”
    My hair swung forward as the bus stopped. On edge, I jerked when the guy behind me bumped my shoulder as he got up. Boots clattering, he hastened down the steps and into the sun. The driver told me my stop was next, and I stood as the nice man trundled down a side street to give me curb service. I stepped down into the patchy shade, standing with my arms wrapped around the box and trying not to breathe the fumes as the bus drove away. It disappeared around a corner, taking its noise and the last vestiges of humanity with it.
    Slowly it grew quiet. The sound of birds drifted into existence. Somewhere close there were kids calling—no, kids screaming—and the barking of a dog. Multicolored chalk runes decorated the cracked sidewalk, and a forgotten doll with fangs painted on it smiled blankly at me. There was a small stone church across the street, its steeple rising far above the trees.
    I turned on a heel, eyeing what Ivy had rented for us: a one-story house that could easily be converted to an office. The roof looked new, but the chimney mortar was crumbling. There was grass out front, looking like it should have been cut last week. It even had a garage, the door gaping open to show a rusting mower.
    It will do, I thought as I opened the gate to the chain-link fence enclosing the yard. An old black man sat