Free The Englishman's Boy by Guy Vanderhaeghe Page A

door, then pivoted on his heel and kicked the senseless body in the head. “Hello,” he said to it one last time.
    Now he was moving for the door, the hushed crowd falling back out of his path, falling back from the pistol he carried flush against his right leg, falling back from the strange little figure in the scavenged clothes. He thrust open the swinging doors and strode quickly down the darkened street ten paces, whirled around in his tracks to catch anyone pursuing. He did. Throwing up the pistol he called out, “Stand or I’ll fire!”
    The figure stopped in the street. “It’s Tom Hardwick. Lower your gun.” He did. Hardwick advanced. “If you’d been anyplace but where you was,” he said, “I’d advised you to kill that man. But there was too much public and it would have looked cold-blooded. There ain’t much law in these parts, but there’s that much.” Hardwick stopped, took a cigar from his shirt pocket, struck a match. He kept on talking around the cigar as he lit it. “You looking to kill that son of a bitch and walk, you ought to put your knife in his belly the second he hit you.”
    “I give him a chance to back off,” said the Englishman’s boy.
    “Bad policy,” said Hardwick. “Don’t give nobody a chance.” They resumed walking. Hardwick said, “I’d scoot if I was you. That man’s a innkeeper and a publican. I never seen a fellow who deals in whisky that was short of friends.”
    “I can’t scoot. I ain’t got a horse,” said the boy.
    “You want to ride with us in the morning I can scare you up a horse,” said Hardwick.
    For a time the boy walked on without responding. “What would I have to do?” he said finally.
    “Whatever circumstances call for,” said Hardwick.
    Vogle argued against taking the boy. He made the thirteenth recruit and thirteen being the number around the table at the Last Supper, there could be no worse luck. Hardwick said since the only one who’d died on that expedition was the leader, and Vogle wasn’t leading nothing, what was he worrying about?
    Vogle shook his head. “Thirteen’s bad medicine,” he said.
    “That’s the Indian in you talking now,” said Hardwick.

6
 
    H arry Vincent, detective, is sitting in a car parked just off Hollywood Boulevard and Cahuenga Avenue, keeping a grey frame building known as the Waterhole under surveillance. The Waterhole is a cowboy hangout famous in Hollywood, one part speakeasy, one part hiring hall. Inside the Waterhole, cowboys play poker and drink illegal whisky served in china teacups while they wait for picture directors short of extras to drop by and offer them work. Nobody but cowboys and directors ever frequent this establishment; tinhorns and curiosity-seekers are not made to feel welcome in the Waterhole. Even the cops give it a wide berth and pretend they don’t know porch-climber is sold there. Prohibition may be the law, but the police have decided meddling with cowboys and their simple pleasures is more trouble than it’s worth.
    I’ve been sitting here for over two hours watching the entrance, hoping to spot Shorty McAdoo among the patrons who stagger in and out of the Waterhole on high-heeled riding boots, but no such luck. There’s no use putting it off any longer; the time has arrived to meddle with the cowboys.
    After the hot California sunshine, the shuttered gloom of the Waterhole leaves me blind. I stand just inside the doorway, blinking, smelling the place – horse and sweat, tobacco and leather, the rank fumes of raw alcohol – before I see it. Then I begin to make out smoke, swirling like fog in the light of a few tin-shaded ceiling lamps,coiling and curdling greasy yellow under the naked bulbs like milk poured into vinegar. I decipher a crowd of stetsons, the tall hat-crowns wrapped in smoke, toadstools in a shifting ground mist. The toadstools tip back from cards and rose-patterned teacups containing illegal whisky. The glaring light skates down the faces like water